The Claremont Runさんのイラストまとめ

Being a child is antithetical to the very concept of completeness, giving Storm a renewed sense of inertia, but also vulnerability (physical and emotional) around which the reader could identify and relate to Ororo, who was “OP” previously. 6/12

An exception to this, however, is the Outback era, which, though beloved by fans, does not actually feature much character progression for Ororo after years of spotlighting her character through the Mutant Massacre and Fall of the Mutants. She takes a bit of a backseat. 3/12

This is all to say that Byrne’s work is more than just “illustrative;” that a lot of the depth and impact of the broader narrative components is coming directly from the artwork (including inks and colours as well), taking C’s scripts to entirely new levels of engagement. 7/7

If the scene requires Wolverine to be intimidating, for example, have him stare right at you with his claws out. If it requires you to be in awe of the heroes, have the reader looking up at them as if they are (literally and figuratively) above you. 4/7

In all of this, we can again see Claremont using his characters’ superpowers to form complex, psychological relationships between the person and the power. This takes the “with great power comes great responsibility” concept into new territory of nuance and complexity. 7/7

Part of the problem is that his powers don’t offer the same multifaceted nature as those of Storm or Phoenix. Havok’s powers can only destroy and kill, facets that are of no desire to a man who is both a scholar and a pacifist. 4/7

The issue is also notable for featuring the first big interaction between Wolverine and Gambit – a sparring session in the danger room. The conflict is used to reflect Wolverine’s diminishment, whilst also establishing Gambit as enigmatic and possibly duplicitous. 5/8

The issue juggles an impressive number of threads – providing resolution on dangling story elements (such as Rahne’s mutate transformation or Gambit’s allegiance) whilst also foreshadowing forthcoming storylines, including the long-simmering Shadow King conflict. 3/8

Claremont has argued that the most common question he receives is “where do you get your ideas?” His answer to this question, articulated in a 2003 introductory paper, is not wholly unique, but does speak to the unique challenges of writing in the comics medium. #xmen 1/4

Once established, Kitty carries more and more of the viewpoint character role in the series. That role is always distributed across different characters, but never equally (see Colossus as example) and Kitty becomes Claremont’s goto. 5/10