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The Claremont Runさんのイラストまとめ


The Claremont Run is a SSHRC-funded academic initiative micro-publishing data-based analysis of Chris Claremont's 16 year run on Uncanny X-Men and spinoffs.
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# xmen

The consequences of this action are steep for Storm as a character, reflecting a more mature perspective on the burden of leadership, whilst operating consistently with Storm’s sense of martyrdom and indomitable will. It’s a shocking move for her, but not out of character. 2/8

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While superhero comics are famous for advocating the existence of moral absolutes in the pursuit of justice, Storm takes that idea of the “one rule” and stabs it in the heart very early on in her tenure as leader of the X-Men. 1/8

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Leonardi would later make his mark in the industry, co-creating Spider-Man 2099 (famous for his end-credits appearance in the recent “Into the Spider-Verse” film) with Peter David and completing extensive and definitive runs on that series. 4/4

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"Can you not have a woman who is ruthless and capable and courageous and articulate and intelligent and all the other buzzwords - heroic when the need arises, and yet feminine and gentle and compassionate, at others?" 5/6

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"Women tend to get very short shrift in comics. They are either portrayed as wallflowers or as super-macho insensitive men with different body forms, who almost invariably feel guilty about their lack of femininity." 4/6

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In this story, Kurt is a POV character within adventures constructed around his character. Unsurprisingly, then, this series highlights many things that have since become common and important features of Kurt’s personality and rhetorical function, including… 4/9

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Given X-Men’s dominance of comics sales charts, its reasonable to assume a strong influence on the cultural zeitgeist at a time when heroes were far more likely to teach young readers that men should bury their emotions and suffer in silence. 3/3

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One of Claremont’s most consistent approaches to character is to build their identities around dualities, with each X-Man embodying what seems, on the surface, like contradictory attributes. 1/5

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Finally, Friedan looks at the lack of roles available to women and asks ““Why should women accept this picture of a half-life, instead of a share in the whole of human destiny?” Here again, Mystique doesn’t compromise; she pursues it all, Destiny included. 6/6

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While Friedan is wary of domestic servitude, she maintains that a woman choosing family/motherhood is great, so long as it is indeed a choice, and to this point we do see some strong domestic relationships in Mystique’s portrayal, perhaps moreso for being unconventional. 5/6

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