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Sean Young’s Rachael, from 1982’s Blade Runner, by Olivia De Berardinis, 2018.
A 1976 production cell featuring Batman & Robin for an animated commercial for the superhero water-skiing shows at Florida & Ohio’s Seaworld.
V. Davydov’s cover for 1972’s Technology for the Youth #11, a competition winner expressing the idea of ‘The World in the Year 2000’, from A. Sankova’s Soviet Space Graphics.
On the one hand, touching. But celebrating a tyranny with such a hopeful image: it leaves me queasy.
Paolo Rivera’s wonderful art for a variant cover for 2018’s Amazing Spider-Man #15. With his art, I not only believe in the superheroes he’s depicting, but also in world they’re shown as being part of. There’s nothing generic about his New York City, for example. It feels so real
Margot Lane & Lamont Cranston, standing before a painting of the latter’s alter ego The Shadow, by Mike Kaluta, as used for the cover of 1981’s The Comics Times #5.
Sitting in the Bank Holiday sun reading stories from long ago.
Spectators at the Theatre, by Hippolyte Michaud, between 1840 & 1888.
Jimmy Olsen, colour guide cell, for 1968’s The Batman Superman Hour from Filmation. Bless him. The counter-culture just passed him by.