Conor ⊗🔺さんのイラストまとめ

...as he originally intended: flirtatious, adventurous, and hardly one to take himself too seriously.

After the identity of the Boggie's is finally revealed (think tiny Kurts but with a Yoda-esque speech pattern), Kurt is freed by his new diminutive companions and sets out...

...itself at the center of the pirates' attack, Kurt's keen sense of morality kicks in as he recognizes he's on "the bad guy" side of this fight.

Kurt sabotages the pirates' attack, promising revenge should they attempt to attack the seemingly innocent ship again. Teleporting...

...to change as we progress through the series, however, as this first issue dedicates all of its page time to developing the story's setting–on the other side of an interdimensional portal Kitty somehow programs the Danger Room to actually create.

Comics sure can be insane, no?

...fewer things to "say" than I've come to expect since diving headlong into the Claremont Run.

The story, even for 1985, does feel something out of place; its lighter plot and Cockrum's iconic art reminiscent of the era the blue mutant was first introduced in.

This may come...

...ever deserve, a logical extension of his true creator's return to writing the fuzzy elf for the first time in a decade of publication history.

Released in 1985–about a year before our current place in the Run, the Nightcrawler mini–and while far from unintelligent, has...

One lazy afternoon in the Boneyard…

Rachel: “You know Akihiro, your dad straight up tried to kill me once.”

Akihiro: “UGH SAME GIRL, SAME”

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...is the pathway to that salvation–is only understandable to him given his inexperience with multiplicity and an identity of his own.

It's the same logic which Rachel, even if unintentionally, uses to justify her plan to destroy the universe, missing the trees for the forest...

...a reality-displaced, almost godlike being whose ascension has come at the cost of her humanity.

While the Beyonder's focus that humanity might only be saved through absolute unity may seem noble, the logic behind it–that only a unity undefined by individual identities...

...of undoing her great work in saving the universe from utter destruction by rebooting the universe.

If Rachel is a parallel to Erik's experiences with the Holocaust–as she reminds us while draining her team of their life forces–she is as much a parallel to the Beyonder...

...sees herself as humanity's sole, almost messianic savior–singularly tasked with humanity's redemption.

The singlemindedness of her plan to kill the Beyonder comes–not unlike Rogue's "amends"–as another means of restoring her mother's legacy, even if it comes at the cost...