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We are a collection of lesser known stories, artworks and ideas from the Indian subcontinent.
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Last week we covered the art of Manjit Bawa, that often drew upon faith and mythology with added elements of fantasy. His use of shocking colours like red, yellow and orange create a multi-sensory experience redolent of many sounds, stories, myths and memories.

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After the Crucifixion I , 1966 ' by Syed Sadequain Ahmad Naqvi. Using his signature image of cacti, Sadequain presented a figure tangled in thorns.

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This is where he received most of his acclaim as his portraits caught the attention of dignitaries & royals. Some of his portraiture was not in traditional materials, like this mosaic of the Aga Khan done entirely in lapis lazuli –fitting individual pieces of the stone together

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Christian influences depicted in Mughal art and life.

The Adoration of the Magi from Mirʼāt al-Quds, Allahabad, India, c. 1602-04.
Source: Cleveland Museum of Art

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