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After returning to Vienna, in 1926 they established the Atelier Singer-Dicker and designed architecture, furniture and interiors which received several awards. In 1930 they were commissioned to create the interiors, furniture and toys for an experimental Montessori kindergarten.
Mary MacKinnon, ad for McCallum Silk Hosiery, 1922. MacKinnon (1890-1962) was an artist from New York who became a famous fashion illustrator in the 1910s and 1920s, working for magazines like Vogue and Harper’s Bazaar and advertising clients.
Johanna Reismayer-Fritsche, Die Zauberflöte, 1923. From 1925 she worked as a freelance commercial artist, and designed artistic wooden toys such as jumping jacks and rocking horses. In 1939 she began teaching at the Kunstgewerbeschule, and after 1945 designed lamps and jewelry.
Annie Offterdinger (1894-1987), illustrations for Styl, 1922-3. Offterdinger began her successful career in 1914 as a fashion illustrator for magazines and the Berlin fashion house Alfred-Marie. She also produced lovely painted ceramic figurines of stylish ladies.
The stylish and exclusive German art-fashion magazine Styl was published in Berlin by Erich Reiss & Otto von Holten in 1922-24. It featured hand-coloured plates and lithographs by artists including Erna Schmidt-Caroll, Lieselotte Friedländer, Annie Offterdinger and Jeanne Mammen.
I hope that after 100 years more people are ready to rediscover the work of Anne Harriet Fish and give her some deserved love and attention! https://t.co/FyJ23QXJIL
Edna Eicke, New Yorker covers, December 1952, January 1960. In 1953 Eicke and her family moved to Westport, Connecticut, which at the time was a small town of artists. She published a book of her covers, and illustrated three children's books. Info from: https://t.co/Ot5ihFkiT7
Ilonka Karasz, New Yorker cover, December 1953. She started painting for the New Yorker in 1924 and continued until 1973, publishing a total of 186 covers. She also created covers and illustrations for other magazines and children's books.
Maria Ihnatowicz, posters for the Italian movies Death in Venice (1971) and A Quiet Place in the Country (1973)
Before moving on to other artists, I am sharing a few brightly illustrated record covers that Jolanta Karczewska-Zagórska created in the early ‘70s. If you want to see more movie posters by this eclectic and underappreciated designer, check out the website https://t.co/ztLUlztqDz