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An exploration of women’s contribution to the history of visual communication curated by Laura Ottina, graphic design professor and historian in Florence.

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After returning to Vienna, in 1926 they established the Atelier Singer-Dicker and designed architecture, furniture and interiors which received several awards. In 1930 they were commissioned to create the interiors, furniture and toys for an experimental Montessori kindergarten.

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Mary MacKinnon, ad for McCallum Silk Hosiery, 1922. MacKinnon (1890-1962) was an artist from New York who became a famous fashion illustrator in the 1910s and 1920s, working for magazines like Vogue and Harper’s Bazaar and advertising clients.

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Johanna Reismayer-Fritsche, Die Zauberflöte, 1923. From 1925 she worked as a freelance commercial artist, and designed artistic wooden toys such as jumping jacks and rocking horses. In 1939 she began teaching at the Kunstgewerbeschule, and after 1945 designed lamps and jewelry.

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Annie Offterdinger (1894-1987), illustrations for Styl, 1922-3. Offterdinger began her successful career in 1914 as a fashion illustrator for magazines and the Berlin fashion house Alfred-Marie. She also produced lovely painted ceramic figurines of stylish ladies.

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The stylish and exclusive German art-fashion magazine Styl was published in Berlin by Erich Reiss & Otto von Holten in 1922-24. It featured hand-coloured plates and lithographs by artists including Erna Schmidt-Caroll, Lieselotte Friedländer, Annie Offterdinger and Jeanne Mammen.

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I hope that after 100 years more people are ready to rediscover the work of Anne Harriet Fish and give her some deserved love and attention! https://t.co/FyJ23QXJIL

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Edna Eicke, New Yorker covers, December 1952, January 1960. In 1953 Eicke and her family moved to Westport, Connecticut, which at the time was a small town of artists. She published a book of her covers, and illustrated three children's books. Info from: https://t.co/Ot5ihFkiT7

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Ilonka Karasz, New Yorker cover, December 1953. She started painting for the New Yorker in 1924 and continued until 1973, publishing a total of 186 covers. She also created covers and illustrations for other magazines and children's books.

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Maria Ihnatowicz, posters for the Italian movies Death in Venice (1971) and A Quiet Place in the Country (1973)

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Before moving on to other artists, I am sharing a few brightly illustrated record covers that Jolanta Karczewska-Zagórska created in the early ‘70s. If you want to see more movie posters by this eclectic and underappreciated designer, check out the website https://t.co/ztLUlztqDz

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