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When Laurence began working in 1894 as book designer and illustrator for The Bodley Head, Clemence created the engravings for his illustrations, including those for her novel, The Were-Wolf, published in 1896. She went on to write two more books.
In 1914 Simons transferred to Munich’s Kunstgewerbeschule, and organised an exhibition of German book art in London. In Munich she also began to work for Willy Wiegand’s Bremer Press, and went on to design around 1400 of its titles and initials with her assistant Franziska Kobell
Ewers-Wunderwald was only recently rediscovered. In 2019 she was given her first retrospective by the Bröhan Museum in Berlin, and the book “Alraune des Jugendstils” was published by Zagava Verlag. Last September, another retrospective opened at the Hesse Museum Gaienhofen.
Wunderwald was inspired by her 1910 trip to India to produce a series of striking black-and-white pen drawings, part of which was featured in her husband’s collection of poems Moganni Nameh.
Wunderwald created illustrations for the children’s anthology Heim der Jugend in 1905. She also designed book covers, and menu cards for ocean liners. Between 1909 and 1914, she exhibited at the Great Berlin Art Exhibition and with the Berlin and Munich Secessions.
In 1901 Larcombe created an advert for Arts & Crafts furniture designers Neatby & Evans, and in 1902 her decorative alphabet was shown at the Esposizione Internazionale d'Arte Decorativa Moderna in Turin. She also designed postcards, greeting cards and bookplates.
The website of the Tretyakov gallery in Moscow hosts a series of interesting in-depth articles about Maria Yakunchikova’s life, her work, and the artists that she collaborated with. https://t.co/Rj5onbfSxH
Maria Yakunchikova died from tuberculosis in 1902 in Geneva.
In 1904 Mir Iskusstva published an issue devoted to her work, and in 1905 the first issue of the symbolist magazine Vesy was dedicated to her memory, with a cover design based on her unpublished sketch for Mir Iskusstva
The Russian painter Maria Yakunchikova (1870-1902) experimented with a variety of artistic media. After moving to Paris in 1889, she studied and mastered the complex and novel technique of colour etching. In 1894 she exhibited her etchings at the Salon du Champ-de-Mars in Paris.
Happy Holidays ❤️with Frances MacDonald #graphicdesignherstory