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The official twitter for the Historians of Eighteenth-Century Art and Architecture (HECAA).
hecaa18.org

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Richard awakes suddenly the night before the Battle of Bosworth, haunted by those he had murdered.

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William Hogarth painted this portrait of actor David Garrick as Richard III in 1745 (). It is the first great British theatrical portrait, but presents the scene as a history painting.

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HECAA is proud to announce the latest issue of Journal18, featuring articles deriving from research presented at the HECAA at 25 conference in 2018! Check out 4 fabulous articles by emerging scholars & a “roundtable” of reflections on the conference & the state of the field. 1/

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Thomas Lawrence painted this portrait of Irish poet Catherine Grey in the guise of hence the peacock (1794, ). However, she rejected it & it never sold when he exhibited it at the Royal Academy later that year.

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Korin’s painting was itself a reproduction of a 17th-century original by Tawaraya Sotatsu. Both Korin and Sotatsu were part of the school, and a third Rinpa artist, Sakai Hoitsu, also created another replica in the 19th century. 2/

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This King Vulture (1734, ) was part of Augustus the Strong’s porcelain menagerie, which was designed by Johann Joachim Kändler and produced by the Meissen Manufactory. 1/

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It’s Do you recognize the source for these angry babies?

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Adélaïde Labille-Guiard painted this portrait of Madame Adélaïde, daughter of Louis XV, in 1787 after the original version that now hangs at Versailles & kept it for herself. She beautifully captures the sheen of the silver dress Madame Adélaïde wears.

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Edmonia Lewis was one of the earliest women to make a living as a professional sculptor. Lewis incorporated her African American and Ojibwa heritage into her work using the Neoclassical style, frequently by depicting women. 1/

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Louis Jean Desprez produced Tomb with Sphinx (c. 1779-1784, Cleveland Museum of Art) using aquatint and engraving printmaking techniques. He drew inspiration from southern Italian catacombs, but added fictional elements like the feet of the deceased.

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