Henry Rothwellさんのイラストまとめ

'A Glimmering Moon' by @Anna_Dillon. Oil on board. I wrote a long form essay about a moonwalk in December - inspired by @M_Z_Harrison's, well, inspiring podcast yesterday, and the impending #supermoon, I thought I might record an audio version. Thoughts?

Left: Adrian Paul Allinson, 'Harvesting'. 1939. Right, Clare Leighton 'Stooking: August', 1933.

Tonight's goodnight image is courtesy of Pietro Giacomo Palmieri (1737 - 1804), with his 'A Moonlit Landscape with Fishermen'. Black ink and black and grey wash.

'The face of the moon bounced the sun’s used rays down across the landscape. Ahead of me, and three shades darker than the night, the black bore of the railway path gaped.'
https://t.co/TlGovnlCFA
Img. Ravilious, Owl on a Rocky Hollow Lane.

Four ponds. From top left to bottom left 'Newt Pond' by Eric Ravilious, 1932. 'Frozen Ponds' by John Nash, 1953. 'Ponds' by Louise Camrass (year unknown - modern). 'River Ponds' by Wayne Theibaud, 1998.

After such a fine sunset this evening, how about a lucid lunar glow to take us through the night? Yes? Good. Because I happen to have two. Left: Stanisław Masłowski, 'Moonrise', 1884. Right: Charles-Victor Guilloux, 'L'Allée d'Eau',1892.

'It may indeed be likened to an enormous many-limbed organism of an antediluvian time - partaking of the cephalopod in shape - lying lifeless, and covered with a thin green cloth, which hides its substance, while revealing its contour.'
Credits in comments.
#HillfortsWednesday

'February'. A rather handsome Stanley Badmin illustration from the 'Shell Guide to Trees and Shrubs'. 1958.

'As I looked at those grape-blue eyes, fringed with their fiery gold, the bleak face seemed to crumble back into the dusk; only the eyes lived on.'
J. A. Baker, on a tawny owl. The Peregrine.
@WmCollinsBooks
Image: Left: Tawny Owl by E Ravilious. Right, ditto by C F Tunnicliffe.

The remarkably modern(ish) looking 'St. Johns in the Vale Looking Towards Grassmere' by Francis Towne, 1786.