Henry Rothwellさんのイラストまとめ

Good morning - I hope you found the night generous. I'm starting the day with a John Nash you don't see too often - 'Norfolk Coast', oil on canvas, 1932. There are some stooks if you look. This may be #StookSaturday. Yes, I think it is.

In celebration of the #fullmoon, here's that arch practitioner of the nocturne, Sebastian Pether, with 'A Moonlit Bay, with Boatmen, Seen through a Wooded Glade', oil on a panel, c.1825–1840.

Good morning - I trust your dreams were kind to you. IF for some unknown reason you only get to drink in the detail of one fine painting today, I recommend you make it Josephine Miller's extraordinary 'The House on the Canal', oil on water, c. 1960.

'Warningcamp, Sussex' by Audrey Weber, for the book 'Hills of the South' by S. P. B. Mais, 1939.

Good morning - I hope you slept a good, roborative sleep and are ready for the day.
Left, 'A Derbyshire Farmstead', by Harry Epworth Allen, tempera on paper, 1934. Right, 'Stone City, Iowa', by Grant Wood, oil on wood, 1930.

Good #Walpurgisnacht.
Left, Graham Sutherland, 'Twisting Roads', ink, watercolour, bodycolour and coloured crayon, 1976. Right, 'Lingley's Field', John Scorror O'Connor, oil on canvas, date uncertain.
Sleep tight.

Here's Richard Bawden's rather fine 'Clutter', aquatint on paper.

Good morning. I hope sleep came easy last night. We'll start the day with a pair of opposite elements from Joseph Edward Southall. Left: 'The Return', tempera on fabric (possibly silk), possibly Fowey, 1930. And right, 'The Meadow', watercolour, 1920.

@TimDee4 Next tweet I'll change the text to 'Gold (and red) medallist Tim Dee has written' . . .

We have a trio of Paul Nash paintings for #HillFortsWednesday. Left: 'Wood on the Downs' (Ivinghoe Beacon), oil on canvas, 1930. Right top: 'Maiden Castle', watercolour, red chalk and pencil on paper, early 1940s, and underneath, 'Maiden Castle', no date/materials given.