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Just here to ramble about things I love — mainly Re:Zero | avi with permission by @_mojika_
curiouscat.qa/Jaereku

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Subaru acknowledging that he's a work in progress, but that for his loved ones' sake he won't let himself languish in self-pity & give up, even if he's far from perfect, is golden. He's a precious boy and I won't let anyone tell me otherwise.

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I like the implications that Naoko knew what was going on with Subaru unlike Kenichi, but simply couldn't find the right words to address it, as much as she would've loved to. This explains why neither parent was able to set him straight before he arrived to Lugunica.

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As Subaru is leaving, him being the son of Kenichi is no longer an expectation that crushes him, but serves as motivation and source of pride—because he now believes in himself as he's actively working to become a better person for the people around him. Also that pose is iconic.

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Pausing this episode breakdown to cry at this because OUCH. This is the closest thing to closure and a goodbye Subaru will ever have, and it HURTS.

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THE GOAT IS DIRECTING IT, LET’S GOOO

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I really hope the anime puts in some more Garfiel/Ram interactions later down the line to make up for the cuts, otherwise a lot of scenes are going to fall flat.

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Panda awakens to the beauty of shark teeth.

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—is her stepping out of her cage and tearing down the walls she built around herself. She's encouraged by Subaru's words, but the decision and drive is her own, and the anime applauds her for it through the villagers' response.

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I felt Emilia's speech was a bit corny, but it's still worthy to be looked at. Emilia was consistently portrayed with a sense of anxiety whenever she interacted with the village people--the one time she did without her cloak, she'd been rejected and chased away. In that moment, —

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The way the camera focuses on Roswaal's dimly lit face, before an unsettling OST starts playing as he speaks of Echidna perfectly sets a sense of foreboding, followed by some unexpected reveals regarding Roswaal's bloodline.

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