not happeningさんのイラストまとめ

So, finally, on the last page of the issue, after counting up 1 panel at a time for the last 8 pages, we get the Tom King 9-panel grid, with the credits and title occupying the center panels in each row.
In essence, it feels like his signature at the end of the issue.
6/6

6 panels.
7 panels.
8 panels.

5/6

Following our 1-panel splash page, we get a 2 panel page.
Then a 3 panel page.
Then 4.
Then 5.

4/6

Tom and the artists (Jorge Fornes and Mike Norton) use splash (1-panel) pages in the issue to indicate the start of a scene. The final splash page is on page 30, indicating the start of the final scene(s). It's a montage, but also a countdown, in reverse.
3/6

Pages 5-6 / 15-16 - 2 pages - Bane / Batman fights Grundy & Amygdala.
Pages 7-10 / 11-15 - 4 pages - Bane / Batman fights Scarecrow.
Page 11 / 10 - 1 page - Cutaway to the enemy & his comrade talking. Bruce & Alfred in issue 19, Bane & Ventriloquist in issue 70.
(3/6)

Thread -
So here's a cool thing that I noticed when binge reading @TomKingTK's Batman run.
Issue 19 (art by Finch) and issue 70 (art by Fornes) mirror each other.
19 is about Bane breaking into Arkham, and 70 is Batman breaking out of Arkham, but it goes beyond just the plot.
1/6

@DaveShevlin88 Nah, my Kev grail would be one of these pages from 171.

had some anxiety over stupid twitter stuff earlier, and the best cure for that is a good Jenkins/Buckingham Spider-Man comic

The final story deals with the Joker planning to commit mass murder on New Years' Eve. Look at Batman's face when he sees all those jokers! It's great. That whole splash page is so good.

Again, amazing storytelling. It feels like the animators who worked on these comics had a better idea of how to do action sequences without excessive narration than some comic creators did at the time.