James Mayhewさんのプロフィール画像

James Mayhewさんのイラストまとめ


Award-winning illustrator & author, #classicalmusic concert presenter/ live art performer. #ASymphonyOfStories is out in October 🎼🎶🎨
jamesmayhew.co.uk

フォロー数:6535 フォロワー数:21329

is by Don Freeman for “Pet of the Met” (1953).Co-authored with his wife Lydia, it's the tale of Petrini the Mouse, who lives in the , New York. Featuring a performance Mozart's Magic Flute, here’s a wonderful scene, in a gorgeous lithograph.

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is by Arthur Rackham for “As You Like It” from “Tales from Shakespeare” by Charles & Mary Lamb (1909). Here’s Ganymede, assuming “the forward manner” of youths “between boys & men”. But look at that TREE! Did anyone draw them better?

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is by P B Hickling for “Ned the Lonely Donkey” by Noel Barr (1952). A Ladybird book I remember very well. The soft, tender pictures definitely tugged my infant heart-strings. Hickling illustrated a cherished few Ladybirds right at the end of his life.

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is by... ME! for "Mouse and Mole, The Secret of Happiness" by Joyce Dunbar, published by TODAY! These stories are sparkling gems, I loved illustrating them. Here's one from "A Good Read" - is *that* the secret of happiness?

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is by Jan Ormerod for "A Wasted Journey" from "Tail Feathers from Mother the Goose" (Opie, 1988). A collection of forgotten nursery rhymes, each with a different illustrator. "Hie to Market, Jenny came trot, Spilt her buttermilk, Every drop"!

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is by Eoin Clarke for "Albert Upside Down" by - a debut book, published by TODAY! Let's give a huge online welcome to this charming tale of Albert the Tortoise, with warm & witty illustrations, rich with character & detail.

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is by Barbara Firth for "Well Done Little Bear" (Martin Waddell, 1999). Hard to believe this beloved series of books is already over 20 years old! The tender stories are perfectly matched by the gorgeous illustrations, so full of expression & character.

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is by Sigune Hamann for "Maudie & the Green Children" by Adrian Mitchell (1996). Suitably curious, & sensitive illustrations for this retelling of the old Suffolk legend. It still resonates, with it's poignant themes of "difference" & "not belonging".

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