Print Quarterlyさんのイラストまとめ

Rembrandt: Thinking on Paper Study Day in London at the Warburg Institute @Warburg_News on 24 June 2019, 9am- to 2pm.
https://t.co/uhI241YmO5

Two times St Thomas. One is by Durer, the other by Johann Ladenspelder and some twenty to forty years later.
Find out more in the exhibition 'Copies, Fakes, and Reproductions: Printmaking in the Renaissance' @blantonmuseum in Austin, Texas, LAST FEW DAYS - until 16 June 2019

Closing soon in Los Angeles @LACMA: major retrospective of #CharlesWhite (1918-79), last stop of travelling exhibition. Until 9 June 2019. To be reviewed in Print Quarterly.

Weekend Reading: Making waves - see note on Hokusai's Great Wave, Biography of a Global Icon in current issue of Print Quarterly (March 2019). Here cover of Debussy's score for La Mer, 1905.

‘Venetian Prints in the time of Tintoretto’ is on view until 9 June 2019 in Washington @ngadc together with two more exhibitions devoted respectively to the artist’s paintings and drawings. Below, ‘The Virgin Appearing to St Jerome’ of 1588, by Agostino Carracci after Tintoretto.

Rembrandt: Thinking on Paper Study Day in London at the Warburg Institute @Warburg_News on 24 June 2019, 9am- to 2pm. https://t.co/uhI241YmO5

Two times St Thomas. One is by Durer, the other by Johann Ladenspelder and some twenty to forty years later.
Find out more in the exhibition 'Copies, Fakes, and Reproductions: Printmaking in the Renaissance' @blantonmuseum in Austin, Texas, until 16 June 2019

Just opened in Hannover at the Wilhelm Busch - Deutsches Museum fuer Karikatur und Zeichenkunt. The exhibition 'Art Deco - Graphic Design from Paris'. Closing 18 August 2019
https://t.co/HRDXzGdMHI

Last chance to see the exhibition ‘Touch: Prints by Kiki Smith’, on view @Pinakotheken, Munich until 26 May 2019. The show celebrates a donation of about 800 prints by the artist to the German institution. Below, ‘Pool of Tears’ of 2000.

Auction of ‘Old Master Through Modern Prints’ will be held @SwannGalleries NY on 2 May 2019. Highlights include works by Durer and Rembrandt as well as Schiele’s 'Bildnis Arthur Roessler' of 1922 and Diego Rivera’s 'El sueño (La noche de los pobres)' of the same year (see below)