Print Quarterlyさんのイラストまとめ

‘Dürer e il Rinascimento’ is on view at Palazzo Reale, Milan, until 24 June 2019. It includes paintings, drawings and prints by the German master, such as ‘The Doctor’s Dream’ of c. 1498, see below.

‘The Tale of Genji’ is on view @metmuseum until 16 June 2019. On display, more than 120 works inspired by the Japanese classic novel, including a portrait of Murasaki Shikibu, the legendary author of the 11th-century text, see detail below.

Marjory F. Whittington and Dorothy Woollard (below 'At Dinan, Brittany' of 1925-30), all published linocuts with the Forest Press, which operated in the New Forest UK from 1923 to about 1930 (see September 2018 issue). #InternationalWomensDay

The painter Angelica Kauffman astutely collaborated with engravers. Here a portrait of her engraved by Francesco Bartolozzi in 1780 and in turn her portrait engraving of J. J. Winckelmann of 1764 (see W. Roworth in September 2018 issue of Print Quarterly). #InternationalWomensDay

See Note on the Swiss artist Martha Cunz (1876-1961) in December 2018 issue of Print Quarterly. Here the woodcut 'At the Pond', of 1918, and 'View of the Säntis Mountain', of 1904.

#InternationalWomensDay

On view in Los Angeles @LACMA until 9 June 2019: major retrospective of #CharlesWhite (1918-79).

Dr Jonathan Black will give a talk on Christopher R. W. Nevinson @AshmoleanMuseum on 15 March 2019, 1-2 pm. Tickets may be purchased in advance and on the day

'Sweet Nothings. Print Series by Thomas Schütte' is on view @ETH Zurich, Graphische Sammlung until 27 January 2019. Below, 'Not Me' and 'Max', from the book 'Volume II. The Big Nix', 2005.

Last chance to see 'Grande Decorazione' in Pinakothek der Moderne, Munich. Closing 6 January 2019 https://t.co/8v2WYvNkK4
@Pinakotheken

Last few weeks @MuseeLouvre : Chiaroscuro prints / Gravure en Clair-Obscur, closing on 14 January 2019. Here after Parmigianino.