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Code Geass: Lelouche of the Rebellion R2. Gorō Taniguchi. #GorōTaniguchi #anime #CodeGeass #Lelouche #REBELLION #power #obedience
Code Geass: Lelouche of the Rebellion. Gorō Taniguchi. #GorōTaniguchi #anime #CodeGeass #Lelouche #REBELLION #power #obedience
So I got challeneged to post 10+ albums that have influenced my taste in music. DAY 3. In this case TWO. #challenge #albumcoverchallenge #albumcover #MikeOldfield #TubularBells #HergestRidge
Clifford D. Simak, Why Call Them Back from Heaven?,
Methuen, 1985. Cover: Chis Moore. #CliffordSimak #ChrisMoore #Methuen #heaven #EternalLife #religion #timetravel
So I got challeneged to post 10+ albums that have influenced my taste in music. One album per day for ten consecutive days, with no explanations, no reviews, just album covers. DAY 2. #challenge #albumcoverchallenge #albumcover #MoodyBlues
Charlotte Volume 2. Yoshiyuki Asai. #YoshiyukiAsai #anime #Charlotte #superhuman
Charlotte Volume 1. Yoshiyuki Asai. #YoshiyukiAsai #anime #Charlotte #superhuman
Phase IV. Saul Bass. Collector's Edition Blu-Ray and booklet. Originsal movire poster is signed (Gil Loken or similar). #PhaseIV #SaulBass #film #insects #anys #hivemind #intelligence #70sscifiart @70sscifi
Clifford D. Simak, The Night of the Puudly, New English Library, 1968. Cover uncredited. Five stories omitted from the Four Square Books edition of All the Traps of Earth and Other Stories. #CliffordSimak #NewEnglishLibrary #Puudly
https://t.co/FE2FaiOqUn
Clifford D. Simak, Our Children's Children, Methuen, 1984. Cover: Chris Moore. #CliffordSimak #ChrisMoore #Methuen #children #planet #earth