Dr Robert Bohanさんのプロフィール画像

Dr Robert Bohanさんのイラストまとめ


Irish contemporary artist, doctor of science & history, statistician | #Art | Drawing & Painting | He/Him | Buy here: robbohan.etsy.com
robertbohan.com

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Another major work by Watteau is his Festival of Love (1717) which is typical of his many canvases of elegant people in a timeless garden. The Toilette, of the same period, also represents a theme he regularly returned to - the female nude

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This drawing is about the curiosity & joy of small children.

Come Away O Human Child (2023) Ink on paper drawing

Buy here: https://t.co/szZihx5I3f

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This drawing is about the curiosity & joy of small children.

Come Away O Human Child (2023) Ink on paper drawing

Buy here: https://t.co/szZihwOF1f

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This drawing is about the curiosity & joy of small children.

Come Away O Human Child (2023) Ink on paper drawing

Buy here: https://t.co/szZihwOF1f

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The artist’s final years were politically & financially troubled. He died in 1652, aged 61. St John the Baptist (1650), Hecate (c1610-20) & Adoration of the Shepherds (1650) & St Sebastian (1651)

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The Spaniard’s depiction of Jacob is quite striking in its strained serenity (for him!). It demonstrate Ribera’s emotional range. Jacob with the Flock of Laban (1638), Magdalene Meditating (1640) & Portrait of a Knight of the Order of Santiago (1640)

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Ribera suffered ill health from 1644 & his personal output declined - although his assistants & students produced much art from his workshop. St Jerome (1637), Jesuit Missionary (1638), Jacob’s Dream (1639) & Martyrdom of St Philip (1639)

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These two images shriek with energy & emotion. They are reminiscent of the nihilism of Francis Bacon 300y later. Venus & Adonis (1637) & Desperate Woman (1638). The latter looks at us directly & challenges us to confront her pain.

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His figure of the Dead Christ is a subtly powerful image. The crossed feet and attenuated form create a dynamic that causes Christ’s head to apparently project towards, & confront, the viewer. The Lamentation (1633), Holy Trinity (1635-6) & Apollo & Marsyas (1637)

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Ribera integrated the work of Caravaggio, as well as Guido Reni & Guercino within the native Spanish tradition. His canvases were collected in Spain & influenced artists there. Archimedes (1630), Euclid (c1630-5) & Prometheus (c1630). The latter is a tour de force.

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