Hugh Lane Galleryさんのイラストまとめ

'Cat'~ Pauline Bewick, (1964)

This is a colour planographic print (lithograph) of a domestic tabby cat. The entire composition is in shades of orange.

'Landline Gray'~ Sean Scully, (2015)

The deep ocean blues overlaid with earthy tones arouse that sensation of isolation experienced when standing alone at the edge of a mighty sea, both melancholy and exhilarating.

'Mrs Lavery Sketching'~ Sir John Lavery, (1910)

This full-length portrait depicts John Lavery's second wife Hazel, who was thirty years his junior. It was painted the year after their marriage in 1909.

'Reflections: China and Japan'~ Sir William Orpen, (1902)

This is a virtuoso still life painting which demonstrates Orpen's facility at depicting texture and reflective surfaces with flair and skill, and with less emphasis placed on a coherent compositional arrangement.

'Sutton Courtenay'~ Sir John Lavery, (1917)

Lavery was a good colourist - evidenced here by the cool blue tones of the shadow s on the first punt, the repetition of these and the yellow of the dress in the bridge in the background and the green depths of the water below.

'Kneeling Figure-Back View'~ Francis Bacon, (c. 1982)

A nude male figure, whose head and physique call to mind Bacon's former lover, George Dyer, is seen kneeling on a plinth. Another limb possibly from another figure can also be identified.

'A Peasant Woman'~ Hilaire-Germain-Edgar Degas, (1871)

A Peasant Woman is part of small series of works where he tackles the problems of painting white material against light with its opposing qualities of transparency and opacity.

'A Cradle Song'~ Harry Clarke, (c. 1927)

This watercolour is preparatory work for Clarke's stained glass masterpiece The Geneva Window, 1929, originally commissioned by the Irish Government to represent Ireland at the International Labour organisation in Geneva.

'Reflections: China and Japan'~ Sir William Orpen, (1902)

This is a virtuoso still life painting which demonstrates Orpen's facility at depicting texture and reflective surfaces with flair and skill, and with less emphasis placed on a coherent compositional arrangement.

'The Log Carriers'~ George William Russell (Æ), (c. 1904)

Two women in long dresses walk towards the viewer across a shelly beach, carrying a long log on their shoulders. The colour of the womens' dresses matches their faces, making them look like statues.