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The Comic is at thesprawlcomic.com My Portfolio - steampowered.net Book Store - tinyurl.com/y9snlths
He/Him

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Here's a few of mine. The first one I drew and coloured, the others I just did the colours. For the last two, I was inspired by an article about Frank Miller's artwork and how it was coloured and wanted to try my hand at something more stylized.

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Q4 Break out of those panels and use layering to help carry the flow of the comic.

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Q3 Seconding You want each page to look interesting, to tug at the reader's interest. Keep them invested. Sometimes the story on its own can do this, but good page layouts and art definitely play a part in that as well.

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Q2 I think a comic artist needs to consider both. If the page layout is confusing it can make the comic difficult, or impossible, to follow. Panel composition can play a part in that, too. ie: The 180 degrees rule.

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Hello I make the sci-fi/horror comic https://t.co/FPEHdorT9h (mature readers only)

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Mostly looking for colourist work. More samples and contact info at my portfolio site https://t.co/MFi96de4ut Thanks for taking a look!

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Sure they're legible, but these wide word bubbles look mighty ugly. You want your word balloons to be nice and compact.

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Q3 I agree with everyone about the text being legible, not crowded, etc but another thing you want to consider is how visually appealing the text layout is. Here's some of my older comic pages as examples of what NOT to do with speech balloons.

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Q2 I like to add little flourishes to speech bubbles when the sound is coming from an electronic source, or when a character has a particularly ominous voice.

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Q2 Of course! Especially when I mock out an environment in CG. It can really speed up some of the more complicated scenes or perspectives. Tracing gets a bad rap, but as long as you're not using it to steal another's artwork it's just another tool in the toolbox.

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