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Increasingly, more conventional businesses across industries are looking into the co-op model as both a reinforcement of their social values and a savvy way to run a small startup > https://t.co/STW4mY0xV9
From the archives: In 1950, Fleur Cowles created Flair, a maximalist magazine that would become her “crown jewel” and an iconic piece of design history > https://t.co/PALenXvBow
In a changing world, design studios find stability and social equity in the co-op model > https://t.co/STW4mY0xV9 #EyeOnDesignMag
Is it time to move on from big tech’s colorful corporate mascots? > https://t.co/tJTapw58Ko @boughsofhawley
From the archives: Marie Neurath was instrumental in the development of the universal icons, and even coined the name > https://t.co/0vc8ACa5Jw
“Yes, all the posters look like the happiest gay couple in the world to us, but they wouldn’t have been seen as such at the time.”—@posterhouseNYC’s Angelina Lippert on Communist propaganda posters > https://t.co/TBtN7JoD55
Greenwashed marketing buzzwords (i.e. climate neutral, net-zero, carbon zero, climate positive, carbon negative, to name a few) are creating a complicated lexicon for consumers > https://t.co/97MC2Q3qYS
Achieving carbon neutrality takes more than a great label and good intentions > https://t.co/97MC2Q3qYS
As founder of the Shanghai Propaganda Poster Art Centre, Yang Peiming has collected more than 6,000 pieces of propaganda from Mao Zedong’s reign in China.
They portray a joyous, bright, and fabricated version of Chinese history > https://t.co/UsEUoV582R
Examining @SeymourChwast and the way his work serves as a vast resource for visual expression 🔍 https://t.co/xBW1VwIfrN