//=time() ?>
For the last 50 years, the students at Cranbrook have continually produced some of the most interesting, unusual, and theoretically rigorous graphic design anywhere in the world—@jarrettfuller > https://t.co/urcRdQQ2dK
@thegoldvan designed the Missing Richard Simmons podcast cover art—it’s probably what got him into the door at @Spotify, where he’s currently an associate creative director. What door could podcast design open for you? > https://t.co/lgkg6IJ91G
Is there such thing as an untapped design market for something as mainstream as podcasts? > https://t.co/lgkg6IJ91G @StudioRodrigoNY
We need graphic design histories that look beyond the profession—@aggietoppins > https://t.co/vwURQR9CKb
“The Earth Is Its Own Best Mascot for Earth Day's Complicated Message” - @jpksure > (gif by Beatrice Sala) https://t.co/X0zeAKxlv6
Icons and road signs are meant to distill our lives into easy, cave-like representations of what it means to be human—but what happens if they don’t represent older generations? > https://t.co/FrtRTvWzaK
Worker ownership provides a way to both equally distribute power and sustain a small business in uncertain times > https://t.co/STW4mY0xV9
The internet is over the bright, flat illustrations that have ruled our screens for years > https://t.co/tJTapw58Ko @boughsofhawley
Throughout the pandemic, @partnerpartners has remained fully staffed with no pay reductions and were able to do their first distribution of profits at the end of last year. How did they make it happen? By passing ownership to their workers > https://t.co/STW4mY0xV9
The internet is finally tiring of Corporate Memphis, the illustration style of Big Tech’s colorful corporate mascots > https://t.co/tJTapw58Ko @boughsofhawley