AIGA Eye on Designさんのイラストまとめ

“[This] was during the early days of computer design; now you can do that stuff in Photoshop in no time. Back then we had to make a real live sardine can.” —Cey Adams (art direction) on the Beastie Boys’ Hello Nasty album cover > https://t.co/urlsFaHhhP

“Reversing Into the Future reveals a glorious, technicolor smorgasbord of wild typography, tongue-in-cheek image appropriation, and art school weirdness.” More about Andrew Krivine’s bookish ode to new wave > https://t.co/a8sRnwZoNb

For the last 50 years, the students at Cranbrook have continually produced some of the most interesting, unusual, and theoretically rigorous graphic design anywhere in the world—@jarrettfuller > https://t.co/urcRdQQ2dK

@thegoldvan designed the Missing Richard Simmons podcast cover art—it’s probably what got him into the door at @Spotify, where he’s currently an associate creative director. What door could podcast design open for you? > https://t.co/lgkg6IJ91G

Is there such thing as an untapped design market for something as mainstream as podcasts? > https://t.co/lgkg6IJ91G @StudioRodrigoNY

We need graphic design histories that look beyond the profession—@aggietoppins > https://t.co/vwURQR9CKb

“The Earth Is Its Own Best Mascot for Earth Day's Complicated Message” - @jpksure > (gif by Beatrice Sala) https://t.co/X0zeAKxlv6

Icons and road signs are meant to distill our lives into easy, cave-like representations of what it means to be human—but what happens if they don’t represent older generations? > https://t.co/FrtRTvWzaK

Worker ownership provides a way to both equally distribute power and sustain a small business in uncertain times > https://t.co/STW4mY0xV9

The internet is over the bright, flat illustrations that have ruled our screens for years > https://t.co/tJTapw58Ko @boughsofhawley