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Animation tidbits from around the world, including rare and underappreciated material you won't find elsewhere.

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フォロー数:116 フォロワー数:197368

Background concepts by Zaza and Zyk for Ernest & Celestine (2012), dir. Stéphane Aubier, Vincent Patar and Benjamin Renner, La Parti Productions

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Finished animation cels from The Last Unicorn (1982), dir. Arthur Rankin Jr. and Jules Bass, Rankin/Bass Productions

Animation for this film was outsourced to Topcraft in Japan, a studio that later produced Nausicaä of the Valley of the Wind and formed the basis of Studio Ghibli

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Plant designs by Mónica Armiño for Puffin Rock (2015–2016), created by Lily Bernard, Tomm Moore and Paul Young, Cartoon Saloon

Armiño included characters from the series alongside the plants to show scale

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Visual development art by Rowland B. Wilson for The Little Mermaid (1989), dir. Ron Clements and John Musker, Walt Disney Feature Animation

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Character design work by Lyudmila Tanasenko for Moomintroll and the Comet (1978), dir. Nina Shorina and Aida Zyablikova, Studio Ekran

These odd, rustic sketches were produced for Soviet Russia's stop-motion Moomin adaptation, to help Ekran's puppet makers build the cast

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Background paintings by Sue Mondt and Sandra Lee for Adventure Time (2010–2018), created by Pendleton Ward, Frederator Studios

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Background paintings by Irv Wyner for Looney Tunes and Merrie Melodies shorts from the 1950s

Paintings from Napoleon Bunny-Part (1956), Stork Naked (1955) and Red Riding Hoodwinked (1955), all directed by Friz Freleng

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Concept art by Nick Park and Michael Salter for A Matter of Loaf and Death (2008), dir. Nick Park, Aardman Animations

Aardman received yet another Oscar nomination for this Wallace and Gromit short, which was also 2008's most-watched TV program in the United Kingdom

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Concept art by Hayao Miyazaki for Sherlock Hound (1984–1985), dir. Hayao Miyazaki and Kyosuke Mikuriya, Tokyo Movie Shinsha

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Backgrounds (likely by Kathy Swain) from the cutscenes in Hotel Mario (1994), developed by Philips Fantasy Factory

A Disney background painter on films like Roger Rabbit, Swain had much more experience than the other two artists behind these cutscenes, as these solid pieces show

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