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Finished animation cels and backgrounds from The Secret of NIMH (1982), dir. Don Bluth, Don Bluth Productions
Puppets used on camera in ParaNorman (2012), dir. Sam Fell and Chris Butler, Laika
Background paintings for Toot & Puddle (2008–2009), dir. Christian Larocque, Mercury Filmworks
Paintings by Teo Kiriakov and Jim Charalampidis
Early character designs for Honey Lemon, Go Go and Baymax from Big Hero 6 (2014), dir. Don Hall and Chris Williams, Walt Disney Animation Studios
Art by Kevin Nelson
Finished animation cels and backgrounds from The Mysterious Cities of Gold (1982–1983), dir. Bernard Deyriès and Hisayuki Toriumi, DIC Audiovisuel
Prop design sheets by Eva Strautkalne for It's Pony (2020–), created by Ant Blades, Blue Zoo Productions
Finished animation cels and backgrounds from Robin Hood (1973), dir. Wolfgang Reitherman, Walt Disney Productions
Early character design explorations for Cruella de Vil from One Hundred and One Dalmatians (1961), dir. Wolfgang Reitherman, Hamilton Luske and Clyde Geronimi
Art by Marc Davis, who also served as the sole key animator for Cruella in the film
Background paintings from Hanazuki: Full of Treasures (2017–), created by Dave Polsky, Titmouse, Inc.
Paintings by Yudi Chen, Christopher Fisher and Justin Volz
Color keys by Dave Merritt for Stella and Sam (2010–2013), developed by Diana Moore, Radical Sheep Productions