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Concept art by Nick Park for A Grand Day Out with Wallace and Gromit (1989), dir. Nick Park, Aardman Animations
Park animated A Grand Day Out alone over the course of seven years, creating two of Britain's best-loved characters and netting an Oscar nomination in the process
Concept art by August Hall for Kubo and the Two Strings (2016), dir. Travis Knight, Laika
Finished animation cels and backgrounds from Rainbow Brite (1984–1986), created by Heywood Kling, DIC Audiovisuel
Character designs for Space Jam (1996), dir. Joe Pytka, Warner Bros. Family Entertainment
Art by Ashanti Miller, Dino Athanassiou and Paul Chung
Background paintings by Melissa Choong and Andrew Palombo for Sara & Duck (2013–2017), created by Sarah Gomes Harris and Tim O'Sullivan, Karrot Entertainment
Concept art by Celine Desrumaux and Jasmin Lai for Age of Sail (2018), dir. John Kahrs, Chromosphere
Cels from the Simpsons shorts in The Tracey Ullman Show (1987–1990), created by James L. Brooks, Jerry Belson, Ken Estin and Heide Perlman, Gracie Films
The Simpsons began on Ullman's variety show, and was first animated by Klasky Csupo, co-founded by Soviet animator Gábor Csupó
Color background keys from DuckTales (1987–1990), developed by Jymn Magon and Brad Landreth, Walt Disney Television Animation
Background keys (concept images to help the overseas artists) for this series were initially painted by Paro Hozumi, Gary Eggleston and Lisa Keene
Background paintings by Julia Kalantarova for Hi Hi Puffy AmiYumi (2004–2006), created by Sam Register, Renegade Animation
Taking major cues from UPA, this series featured some of the most stylized backgrounds of any mainstream TV series during the 2000s
Finished animation cels and backgrounds from The Sword in the Stone (1963), dir. Wolfgang Reitherman, Walt Disney Productions