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Est. 2017. We fought and won pay equity for Color Designers represented by TAG 839. This is now a legacy account.
bit.ly/colorisdesign

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Sit back and order in some pizza for today’s We with , who worked on and According to Tanya, “her biggest challenge was…”

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It's that time of the week again where we for their artistic contributions in animation! This we are taking a closer look at Chris Marino and his work for 's Costume Quest.

By utilizing a "wonderfully muted, autumn earthy inspired...

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involves creating color palettes for things that don't exist in real life (yet)!" Kristina worked with Art Director to develop a "Synth-wave 80's aesthetic" by referencing "a bunch of futurist video games, comics...

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then she would create different options for Lauren to choose from, such as for Barbara Minerva. With each version, she worked in lots of gold in order to communicate the character's wealth.

Check out more of Janice's work, here: https://t.co/QSHpZxKVbB

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Color Designing is a job that often goes unrecognized and we'd like to change that by highlighting the work of different artists through our new campaign:

First up is Mari Alizor, for 's new animated series, "The Owl House."

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