//=time() ?>
Friendly reminder that #PudgyHorse Lascaux Tribute (which was painted with pigments made from Cretaceous rocks) is available as prints, etc. Link in profile. 🙏 https://t.co/AjMUfxtxBJ
'My long and bubbling friend,' said the Djinn [of All Deserts], 'what's this I hear of your doing no work?'
Illustration for How the Camel got his Hump; Kipling's Just So Stories, Folio Society, 2013. Watercolour.
For today's #FairyTaleTuesday theme of Mountains & Deserts.
Brontësaurus. My not at all serious attempt to bridge my literary audience with my palaeoart one. Perhaps my only piece to have gone mildly viral through being reposted uncredited apparently everywhere.
Prints available via Redbubble. Link in profile.
'...And one by one crept silently to rest.'
Illustration for Quatrain 21, Rubáiyát of Omar Khayyám, Folio Society, 2009.
Sir John Middleton and his mother-in-law, Mrs. Jennings, visit Barton Cottage. Watercolour on Arches cold pressed. Illustration for Jane Austen's Sense and Sensibility, published by Palazzo, 2011.
I'm finally letting this piece go. 🥲 Auction link to follow tomorrow. 🙏
The Enchanted Pig is a Romanian fairytale of the 'search for the lost husband' type in the Animal Bridegroom cycle of tales.
Illustration for The Red Fairy Book, Folio Society, 2008. Watercolour on Arches CP.
For this week's #FairyTaleTuesday theme of Beauties & Beasts.
The second of my two original artworks in this quarter's @ChangelingArt auction. Another 'do not sell' piece that I'm letting go. This is the last of the colour illustrations I have which I did for the Folio edition of The Red Fairy Book in 2007/8, the others having all sold.