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'...And one by one crept silently to rest.'
Illustration for Quatrain 21, Rubáiyát of Omar Khayyám, Folio Society, 2009.
Sir John Middleton and his mother-in-law, Mrs. Jennings, visit Barton Cottage. Watercolour on Arches cold pressed. Illustration for Jane Austen's Sense and Sensibility, published by Palazzo, 2011.
I'm finally letting this piece go. 🥲 Auction link to follow tomorrow. 🙏
The Enchanted Pig is a Romanian fairytale of the 'search for the lost husband' type in the Animal Bridegroom cycle of tales.
Illustration for The Red Fairy Book, Folio Society, 2008. Watercolour on Arches CP.
For this week's #FairyTaleTuesday theme of Beauties & Beasts.
The second of my two original artworks in this quarter's @ChangelingArt auction. Another 'do not sell' piece that I'm letting go. This is the last of the colour illustrations I have which I did for the Folio edition of The Red Fairy Book in 2007/8, the others having all sold.
One of my two original artworks available in this quarter's @ChangelingArt auction, 'Dreams & Nightmares.'
Illustration for Two Ivans, Soldier's Sons, from Myths & Legends of Russia, Folio Society, 09.
This was a 'do not sell' piece, but circumstances dictate otherwise. 🥲 1/2
Tang Dynasty horse sculptures are extremely distinctive, and it's perhaps the familiar echo of the term 'Tang horse' that leads to its being casually tossed around. The Rownd horse sculptures above are modern creations.
~https://t.co/BB14dKhWFh
~https://t.co/0TyB1gapKS
Have I sold this illustration of Elizabeth Bennet and her parents to someone? I honestly can't remember. 😅 I can't find the piece, but I don't remember if it's simply buried somewhere or if it's already found a new home. 🤦🏻♀️