Johannes López Ayala 🇪🇺さんのプロフィール画像

Johannes López Ayala 🇪🇺さんのイラストまとめ


Design, writing, art, philosophy, jazz, fonts. Lots of fonts. ⦿ Account inactive but kept online for the time being
typo.social/@jla

フォロー数:619 フォロワー数:1624

For today’s by & , let’s revisit “Biblio” by India-based . It’s got the trendy ’90s vibe yet is pleasantly contemporary. Also strikes a nice balance between technical and humanist. Available .

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If you’re following me on Twitter, there’s a good chance you might enjoy the Type & Typography Club on Clubhouse. Use the link below to access and follow the club. Let’s talk type!
https://t.co/j7JqwlxcbL

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There’s a new foundry in town: goes independent and launches his very own type shop, “Wannatype” (https://t.co/6eKWb8CwZ1).

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In many ways, 2020 was a real scoundrel. Thus, it’s appropriate to conclude this year of with “Halunke” (=“scoundrel”, https://t.co/xHKwnJdM0z) by Elena Schneider for —the multiscript successor to Schneider’s homonymous design. (366)

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“Apothicaire” (https://t.co/PoAGlmghBL) by for is a VF display serif typeface that was inspired by an “antique style cast by a German type foundry during the late 19th century”. At 3 static widths, 5 weights, & 1118 glyphs, it’s quite versatile. (335)

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“Carta Nueva” (https://t.co/6HU7SewDUG) by My-Lan Thuong for is “the digital re-imagination of a pointed-nib calligraphy model from 1851 in Barcelona … (designer unknown)”. Lavishly elegant. 5 opt. sizes. Will “grow into a multi-directional family”. (321)

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“Decibel” (https://t.co/kgtvSkTJ7I) by Ethan Cohen, released with , is an (aptly named) “big fat slab serif family with display & text styles … designed … while listening exclusively to 60s and 70s funk music”. As of now, “2 of 10ish planned styles”. (319)

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“Zin Serif” (https://t.co/Vayon89oTa) & “Zin Display” (https://t.co/gEnuolDkJz) by Samuel Čarnoký for CarnokyType is a transitional serif typeface with large x-height that complements the 2017 “Zin” superfamily. 3 widths, 5 weights, 2 optical sizes, 778 glyphs. (315)

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“Club Lithographer” (https://t.co/X4r615395f) is ’s November font for his club. This lowercase-only design is a calligraphy-styled, wide italic display font based on Andrew Little’s “Lithographic Italic” from De Vinne’s 1891 Specimen. Swell! (307)

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“Hejira” (https://t.co/ACEFYxddok) by Gastón Fuoco for is a collection of 4 very different display fonts that nontheless share a common set of visual features.
① Serif, Thin & Spiky
② Sans, Broad-Nip Style
③ Flashy Op-Art Serif
④ Hi-Contrast Fat Face
(291)

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