Johannes López Ayala 🇪🇺さんのイラストまとめ

“Loretta” (https://t.co/WnSfsPZ7Mn) by @joanatype & Abel Martins for @novatypefoundry, published with @futurefonts, is a straightforward, calligraphy-influenced serif font—delightfully restrained for a FuFo release. Give it some extra tracking for great body copy! #366fonts (181)

“Approach Mono” (https://t.co/Dvj13bmvTW) by Eduardo Manso for @emtype is the monospaced companion of “Approach”. Like its proportional Neogrotesk counterpart, it has got an all but neutral (never dull) character. Comes with a distinctly pronounced punctuation. #366fonts (178)

Strategic analysis of type trends courtesy of Soft‍bank.

“Empira” (https://t.co/kV6nAvowUO) by Dieter Hofrichter for Hoftype is a crisp, high-contrast typeface—much more Transitional than Didone. Despite showing some calligraphic heritage, these letters are decidedly drawn, not written. Lovely texture & solid features. #366fonts (161)

“Emperator” (https://t.co/OZM29kfLIq) by Marcelo Quiroz Duarte for @Latinotype is a serif display typeface based on a calligrapher’s brush lettering, possibly the preparatory drawing for a chiseled inscription in stone—thus, “Hand” style shows “intermediate step”. #366fonts (153)

“Octothorpe” (https://t.co/BfsuH0HTsu) by Jorge Iván Moreno Majul for @pampatype is a revival of “Stripes”, a Letraset font by Tony Wenmann from the 1970s. With broad language support, lots of alternates & discretionary ligatures it’s equipped for demanding tasks. #366fonts (142)

@Floodfonts @AdobeFonts So Arpona’s already on Adobe Fonts‽ And there’s even an Arpona Sans‽

Just gotta love that “Facetiming People” face!
(https://t.co/B8jy1psCuV)

“Nichrome” (https://t.co/SzoiIRWeag) by @rutherfordcraze for @mass_driver_tm/@futurefonts “is a display face referencing the typography of paperback science fiction from the 70s & early 80s … not by reviving any single typeface, but by capturing elements of many” #366fonts (112)

№ 100 brings the Arabic script into focus for the 1st time: “Klapt Arabic” (https://t.co/PplrWtjme3) by @vitoriaseven for @seventype_ uses the “soft outside—sharp inside” principle for a fascinating contrast between geometric construction & calligraphic heritage. #366fonts (100)