Johannes López Ayala 🇪🇺さんのイラストまとめ

“Grandheron Sans” (https://t.co/fbHi5Zk8Ze) by @andresimardfont is a static grotesque typeface with a DIN-like technical look. Some letters (afklvyAJKMNVXY) sport distinct angular details. 18 fonts, each with 953 glyphs: this legible family is quite well equipped. #366fonts (268)

“Six Minutes” (https://t.co/ZcpgA3e050) by Lola Herst for Rawblind Basetype might not seem like much, but this casual handwriting typeface packs a punch—supporting Greek, Cyrillic, Vietnamese & most other Latin-based languages. 2287 glyphs—3 alternates per letter. #366fonts (267)

“Signifier” (https://t.co/e0ENVMhCyS) by Kris Sowersby for @klimtypefoundry is a “Brutalist response to 17th century typefaces” that began as a revival of English Roman from the Fell Types. As in “Charter”, its outlines employ a radically reduced number of points. #366fonts (236)

“Cadmium” (https://t.co/cspi0d9H1f) by Nicholas Garner for @aviationpartner is a static grotesque font family (4 widths, 6 weights) with a technical yet approachable look due to rounded corners. While spaced for text, its letterforms work nicely in signage, too. #366fonts (231)

“Roca” (https://t.co/I8XpuRhWjs) by @mosquitosplace for MyCreativeLand is a retro soft serif display typeface “with a hint of Bookman”. 2 subfamilies each subtly focus on one of the originals: Roca One→Windsor, Roca Two→Cooper Black. That trend is here to stay! #366fonts (228)

@DairyFonts … an obvious rebranding case comes to mind …

“Antica” (https://t.co/w9L4L27NxY) by @alepaul for @sudtipos is a typeface w/ triangular serifs inspired by Scotch Modern typefaces of the industrial revolution, when type became a distinguishing factor in advertising mass-produced goods competing with each other. #366fonts (217)

“Normalidad” (https://t.co/QysbETlCUr) by @ilyaruderman & @ostromentsky for @TypeTodayNews is a “mechanical sans-serif typeface with semi-closed apertures”, a hint of Eurostile-like superellipses & a whiff of Univers. Innovative “partially variable” font concept! #366fonts (214)

Christian Gruber has overhauled his “Tabularasa” (https://t.co/4gmTWXi6wd), adding italics + hundreds of glyphs and revising the shapes of most existing ones. With its geometric details, Tabularasa 1.1 is a great choice if you need a reliable, neutral Neogrotesk. #366fonts (208)

It’s always great to support ambitious type-related projects on Kickstarter—even better when you get a handwritten postcard. Thanks, @LynneYun!

(If you didn’t back Lynne’s “Type Design A—Z”, you can still benefit from her classes here: https://t.co/XQ8ArnoQNL)