mostaleoht 🇺🇦さんのイラストまとめ

@burstofbeaden Here's another version for the Blue Tale, illustrated by Sergey Denisov. But I like Kovalenkov so much more. Dreamy; like a longing for something that never existed.

This link has several more by Kovalenkov, including the yellow one, and the gray one:
https://t.co/Leur4VrCFS

What a story! Lena Bergner (1906–1981) was German, a part of the #Bauhaus group, but her most famous piece (Metro, 1932) was done and actually produced (!) in Soviet Russia, as a textile design! Fortunately, she managed to escape the country in 1936.

https://t.co/D5GhQReKvD https://t.co/gw5zo4SrQI

One of my favorite artists here. If I ever grow up enough spiritually to work in color and with local sources of light, @emmalazauski will be my key role model. So magical!! https://t.co/azuX2xCip7

Can't stop: some more art by him. (He worked in many styles, and I collected here like one of 6 or 7 streams; mostly his later work, it seems, as I love it more).

#illustration #posters #inspiration #design

Just wow! Takeo Takei, 1894-1983; Japanese painter and children illustrator.

These semi-abstract birds are from late 60s and 70s (so he was almost 80 at the time!
https://t.co/NsGFusy4uQ

#inspiration #illustration https://t.co/9dPOib2xJo

St. George is such a curious saint: an obvious amalgam of pagan and Christian, but also almost an archetypial, perennial hero. He is somehow simultaneously perceived as an exclusive patron of England, Georgia, and Muscovy Russia, Aragon (?) and probably more?
#StGeorgesDay https://t.co/2LBPqE8nvT

Top left: Sonia Delaunay, Electric Prisms (1913)
Top right: Paul Klee, The Barbed Noose with the Mice (1923)
Bottom left: Matt Forsythe, Owl, (2018)
Bottom right: Matt Forsythe, Pokko and the Drum (2019)

@SDelaunayArt @artistklee @mattforsythe

I absolutely love it! 💜

Aleksandra Czudżak, an illustrator from Poland.
https://t.co/TGJYCVuTrJ
https://t.co/9qO1cI4u0Y https://t.co/UZX6Uod9SV

Why would they climb these pillars? It seems that the first saint to live on a column, St. Symeon the Stylite, was deliberately looking for a way to be both solitary and involved. Over the years he increased the height of the column, yet always remained surrounded by pilgrims.