The Daily Hellerさんのイラストまとめ

My great grandfather died during the Holocaust, apparently in Lodz ghetto. I haven't learned much about him or the rest of the family on my mother's side and even a visit to Auschwitz did not turn up anything about their fates. But I have this sepia photo. https://t.co/drayCn9JrJ

catch up on some of this past year's best @thedailyheller #graphicdesign, #typography, #artdeco, #astronauts. https://t.co/uL067pMAAB

Some of the holiday cards sent from friends to Paul and Marion Rand by Saul Bass, Antonio Frasconi, Savignac, Rudolph de Harak and Hermann Zapf, among others. https://t.co/b8GA4h7pEY

Just in time for the holidays (any holidays). https://t.co/FoIB5mKwlB

On the heels of the murder of eleven congregants at Tree of Life Synagogue in Squirrel Hill, Pittsburgh, today is the 80th anniversary of Kristallnacht, the 1938 NAZI pogrom against German Jews. C&G Partners developed “1938 Projekt: Posts from the Past”: https://t.co/aPDuxK2hda

Brands at war: Why is the swastika worse than the hammer & sickle, brand-wise? https://t.co/oPqm1HJEpv @DesignObserver

At the turn of the century logos and trademarks were not strategized, refined or refreshed. Branding was not a verb or a noun. It was the initial stages of commercial art prior to the introduction of graphic design. https://t.co/gsupxqNUl2

The Composing Room in New York was no mere type shop. No other type business was more aggressively self-promoting, none so determinedly advanced the art of type design or made such a remarkable contribution to design history and practice. https://t.co/nhkHLMWu2G

I was fourteen in 1964, the year that the revolutionary The Underground Sketchbook of Tomi Ungerer was first published (reprinted in 1972). I don’t recall how I got hold of the book, but its ribald wit and rebellious humor touched a raw nerve. https://t.co/maVqD5Eb6C

The human body is a wonderful thing. Duh! But trying to explain it through art and design may be even more wonderful. https://t.co/rrKmOutosl