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THANK YOU FOR THE 7 RT's & 43 ❤️'s!!! Here is Sasha side by side with Giraud .... they're.... //rivals// 😏👀👀👀
Giraud the Lofty 🤺✨
#oc #OrignialCharacter #CharacterDesign #ArtistOnTwitter
It’s Jean Giraud’s Birthday. Today #Moebius would have turned 81.
I recently watched “The Fifth Element”, and have been looking at a lot of Moebius artwork, so that visual style has been stewing in my brain recently. And so, a Moebius-inspired #drawing. #illustration #drawnbyshawn #moebius #jeangiraud #barren #speeder #journey #thefifthelement
#Moebius #Repost #infiniteworldsmagazine
The Lady Malvina from Giraud's 'Airtight Garage' (‘76-‘79) #JeanGiraud #graphicart #scifi #universe #scifiart #sciencefiction #psychedelic #psychedelia #fantasy #fantasyart #trippyart #surrealart #highguy
https://t.co/2Do1DKWKsy
@ChrisShehanArt Jean “Moebius” Giraud, Juanjo Guarnido, Yusuke Murata and Stuart Imonnen
Dédicaces by #Gir ..!
❤️
#Moebius #jeangiraud #jeanmoebiusgiraud @moebiusofficiel @EditionsDargaud
Œuvre 93/365
J'aime beaucoup les inspirations de l'artiste Joakim Ericsson, essentiellement issues de science fiction, les inspirations sont nombreuses, War Of The Worlds, Alien (d'ailleurs, la dernière œuvre est une version réaliste d'une peinture de Jean Giraud, aka Moebius)
FILIPINO - TRAJES Y COSTUMBRES DE MANILA Y SUS CERCANIAS - COLEGIALAS DE LOS BEATEIROS EN TRAJE DE IGLESIA - LITOGRAFIA SIGLO XIX. AUTHOR: GIRAUDIER BALTASAR / RIBELLES J. LOCATION: MUSEO DE AMERICA-COLECCION, MADRID, SPAIN.
10 years ago I was on planet Orbona creating visuals for Eva Nine’s story “The Search for WondLa”. These character development sketches were referenced throughout my writing process. I was inspired by turn-of-century lithography and the comic book genius, Jean Giraud “Moebius”.
Jean Giraud (Moebius) made such incredible art that every time I see it, no matter how many times I've seen a piece, I stop and stare at it for a few too many minutes.
I enjoy his work so much. It has filled me with imaginative joy my whole life. I'll never get enough. Amazing.