Making of a feature film. This was one of the first concept look pieces I did for the film. Didn’t end up being the final look but cool to see.

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Photographing football requires a very unique approach, not only to the lighting, but to the psychology of the photoshoot itself. Today's blog talks about how I go about preparing a set for each athlete.

https://t.co/bzJwjkRyNG

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Been a crazy few months lately, but the continues. Adding to was a tough ride but more is definitely on the way. Thanks for hanging in there with me.

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Dibujos conceptuales por Brian Froud para el clásico de Jim Henson "The Dark Crystal" (1982).

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Here is the There was so much material to draw from it was easy to get a feel for her anatomy and structure.

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Process for my from web3 bodies series. I’m thinking about the storytelling as a way to develop the environment this ‘thing’ lives in.

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Character reference sheets!
First presented on our trip to Yakutsk where a pitch clip for has been first shown 🎞️

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"Beneath the surface" is available at
Photobased composite with digital watercolors 🪄
0.7 $eth
(open to offers)


https://t.co/9ITkcU1PMK

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So, hey, the volume 5 print campaign is *ideally* gonna happen in September...but who knows? We're all gonna find out together.

In the meantime, enjoy this post where I design the Volume 5 cover:

https://t.co/A39VhpMh76

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🎞️

Check out some early concept art for the Spore Goliath. 🍄

Are you planning on taking him on solo or with a group?

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Old sketches of Ayana. ✏
Yep, in the early stages of the script, she was just a baby! 👶 (And in some variations she didn't even exist...)

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The visuals of comics are truly stunning! 😍
You can really see the many different lands of this world and their own unique environments! 🌲🏔

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BONUS: Back when I started the Sonic Monthly Art Celebration challenge in 2021, for the first entry I made Sonic as my favorite character. However, there were several attempts to make the final illustration. Here are some sketches.

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Sharing some of 💙💕

They said 'never meet your heroes.' Yet, when I met my love for them just got deeper and stronger.

Hanggang sa muli, lovelies 🫶🏻 I will wait for you to come back here in the Philippines 🇵🇭

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These paintings are from a visit Shirley made to Ravello in Italy in 1995. As Clara says it’s clear to see the influence of this trip on Enchantment in the Garden, which Shirley began the following year.

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These two paintings of Shirley’s were from a visit to Rome in 1982.

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Introducing, the father of Ayana and Erchim; a typical Yakut dad 👴

His design had stayed the most consistent throughout.
In the last picture, he is holding little Ayana, whose design had changed many times.

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