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[Afterimage slow motion] Un BL maîtrisé et hypnotisant grâce aux planches très cinematographiques de @jyanome29 👌 Il y est question de passion, d'acceptation de soi et de rêves, le tout saupoudré d'humour & d'une belle alchimie entre les personnages. BL paru aux @Editions_Hana
I have drawn Josuke Higashikata.
Mainly from memory using more unconventional colours.
This is in memory to when I referenced and studied a scene from the live action Part 4 movie for a cinematography class, and got an A.
Baru berkesempatan tonton #PrebetSapu
Aku bagi 7/10. Memang tak mengecewakan. Aku suka skrip & dialog dalam filem ni. Cinematography pun cun. Lakonan Amerul Affendi mantap macam biasa.
Sila tonton dan support filem ni 💪🏻
今回も撮りました
INSIDE vol.12
TAICHI SAOTOME
FAN CLUB MAGAZINE
「 R I T A 」
Creative Produce / Designer : KG (POC Inc.)
Photographer : TAKAHIRO SAKATA
Director / Cinematographer / Edit / Music : TOKHIRO YASKAWA
Hair&make : SHINJI OKUYAMA
Stylist : TAKAFUMI YAO
Saw this & I ain't gonna link to the dude, who is seriously just live-tweeting his criticisms as he watches the movie like a normal, well adjusted person but.. "The cinematography sucks. Almost the entire movie so far has just been standard shot/reverse shot dialogue scenes."
Another awesome creation by @PaulC04
Man, I need a Love, Death & Robots movie concept. Showcasing concept art like this in motion
#spaceship #artist #scifiart #conceptart #design #illustration #cinematography #cinematic #ArtistOnTwitter #Digital #digitalart #DigitalArtist #art
What is the key to successful visual storytelling? A willingness to collaborate, the flexibility to evolve, & an understanding of the basic rules of cinematography.
"Storyboarding with Kris Pearn" is out now! https://t.co/iLZm61BvL6
❄️Winter Sale!!❄️Now until Jan 10. 2022 ❄️
i am once again tweeting to honor the cinematography of moana. it will never not be a top tier disney animated movie.