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Rose anthelid moth & variable anthelid moth, by #HarrietScottMorgan (Australian, 1830-1907), who was born #otd (Mar 23). From "Australian Lepidoptera & Their Transformations, Drawn from the Life" Vol. 2, illustrated by Helena & #HarrietScott; source, https://t.co/wM6tusVRy0
John Constable, Weymouth Bay, Dorsetshire, 1830 https://t.co/Gm1aC0osD2 #johnconstable #tatemuseum
Celebrating #WorldWaterDay with these 1830s Edward Lear watercolours courtesy the #mcgillrarebooks Blacker-Wood collection @McGill_ROAAr #McGill 🦉
John Constable, A Seabeach, 1830 https://t.co/mVUphiY03j #museumarchive #johnconstable
小林清親の美人画「花模様:寛永正保頃」
https://t.co/w4CsUppmk7
明治時代の画家・版画家 小林清親(1847-1915)の連作「時代風俗 花模様」より。
本連作は江戸時代の衣装風俗を題材に、慶長頃(1596-1615)から天保頃(1830-1844)までを10の時代に分けて描いた錦絵シリーズです。
#天牛書店Images
🌊 Voyage autour du monde:
Paris: Arthus Bertrand, 1825-1830 [i.e. 1838]
https://t.co/FM2OmdpryW
Clergyman Samuel Roffey Maitland, Lambeth Palace Librarian, travelled through Europe in around 1830. He captured clothing of that period in his watercolour paintings. Some images are identified as Breslau - today #Wroclaw, #Poland. [MS 1945, p. 9] #FolkloreThursday
Maharaja Ranjeet Singh & a European, perhaps Gov. Gen. Of India George Eden, brother of Emily Eden. 1830s from @ExploreWellcome #Art #History #Punjab #Sikh @DalrympleWill @ssharadmohhan @YungBhujang @Kharagket @ranveersiiingh @SirPentapotamia @JasKand @amaanbali @theheritagelab
John Constable, Hadleigh Castle, near the Nore, 1830-1855 https://t.co/MvXsnVTLjY #artsmia #printsanddrawings
<花束と大砲>
1830/3/17 ショパン ピアニストデビュー
ショパンの譜面なんぞ所蔵なく残念。
シューマンいわくショパンの曲は「花の陰の大砲」
=華麗さと強い意志の共存らしい。
当館から花と大砲。ショパン関係なさすぎでひどい。
パリ万博本の少女と、清親「澎湖列島之全占領図」
(MT) #貴重書
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
~ Arthur Rimbaud
~ Robert Walter Weir The poet's dream, 1830
"1. Phasianelle - 2. Phasme"
Copper etching. Original hand coloring.
Ca. 1830
Two-striped walking stick - Phasmatidae - Anisomorphia buprestoides https://t.co/8PLmLEpRk3
Listen very carefully, I shall say this only once.
The Duke of Wellington adopts his John Inman persona whilst auditioning for the Regency-era version of Allo Allo, (July 1830) #WellingtonWednesday
@dianadep1 @1Atsuhimerose2 @ejlazar @angelicadisogno @neblaruz @marmelyr @LuciaTassan @BrindusaB1 @Spiros209 @scastaldi9 @ScrivoArte2 @lissablu68 @artmajcar @CristianeGLima @cristob45 @albertopetro2 @bgv_online @maluisa_3 @MOCarballeira @peac4love @ceconomou56 @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @kamabi @karmendida @famartinez2001 @AnnaCountessK @Make_u2_happy Frederic Leighton 🇬🇧 (1830-1896)
"Idyll"
c. 1880-81
Tsutsumi Tôrin III (Japanese, active 1790s–1830s)
A pair of hanging scrolls
Emperor Doll for the Dolls' Festival
Empress Doll for the Dolls' Festival
Edo period
#painting #hangingscrolls; ink, collor and gold on silk
A selection of postcards showing buildings by John Foulston built between 1810-1830. The Royal theatre and Athenæum in the 1st and the Royal baths in the 2nd have gone. The terrace on Union St and the buildings in the 3rd and 4th have survived town planners and the blitz.
this year i'm doing deliberate era-muddling anachronism: dreamy 30s wrapped in coloured cellophane, 18th century pleasure garden, 70s male-gaze-lesbian-vampire chic, 1830s sheer romance