Hello fresh on day 13 of Bet you thought these would be in 30 consecutive days. So did I, but here we are 😂

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congrats on the milestone! my name is cameron, i do digital art/traditional and printmaking! screen/relief printing! here are some of my favorites

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Dynamic Abstract 26.0.-printmaking by Alexey Nickolay ,2013.

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Hey, friends! My commissions are open again if someone would like some art! I can do a drawing like the first two pictures or digital printmaking like the last two! Starting at $40/piece! A retweet would help so much! DM me for more details! :)

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yay! congrats! i’m cameron i draw and paint and screen print! here are a couple of my favorite, more recent pieces.

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hi im nico/yoon, i like fantasy and plants and gore and printmaking, hopefully making more comics this year

ig:
store: https://t.co/2qjBEdKEIT
portfolio: https://t.co/T4nUIJVDip
videos: https://t.co/VMdVmcZonA

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Tessa Holmes's"Stone Cliff' is a unique print (30x55cms, £300) Made on a kitchen table with rollers & paper stencils whilst in lockdown on borders, source of the image

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It’s a double vertical leaf print! And I finished packing up my school art room, hello summer ☀️ Day 10,

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Lots 70-73 - by

Alan Kitching is one of the world’s foremost practitioners of letterpress typographic design and printmaking, renowned for his expressive use of letterforms.

VIEW NOW – https://t.co/wwEPKJwXJL

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Watch out, I went crazy and printed a double horizontal of the leaves from our ash tree in Day 9 of

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"Generations" (2020) by Kyle Natkusiak Aleekuk. A timeless imagery of Inuit life past and present with the use of crisp watercolour and bold India ink

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Twofer for Days 4 and 5 I’m experimenting with painting on the background 🤞

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"Contemplating the Future" is a photographic work of art by Roslyn Rose that communicates volumes. The artist integrates images that integrate fleeting images from life and imagination having come from an extensive background in traditional printmaking. https://t.co/tV0Oo5aziN

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"on the other side" /

or, "macgyvering digital blending modes for printmaking effects"

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Linocut prints by William E. Smith. Smith was born in 1917 in Chattanooga, TN and moved to Cleveland at age 13. He studied at the Cleveland School of Art and learned printmaking at Karamu House, Cleveland’s legendary African-American theater.

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Making various versions of a new print tonight. “The artist has such freedom when they have no bleedin’ idea what they’re doing” - Aristotle’s Uncle.

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