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Portraits of Dogs: London exhibition explores human devotion to four-legged friends. An art exhibition dedicated to dogs opened at the Wallace Collection in London. Portraits From Gainsborough to Hockney explores the intimate ways in which we have represented our faithful friends
Looking forward to talking about the incredible heart-warming Faithful & Fearless Portraits of Dogs from Gainsborough to Hockney @WallaceMuseum w/ @middleagedminx & @annawebbdogs 3:30pm @BBCRadioLondon & The Queen & her Corgis #wallacewoofs #barkinghour 🖼️ 🐩
1. ophelia by john everett milais
2. henry geldzahler & christopher scott by david hockney
The paintings referenced in the pictures I posted:
1. Sandro Botticelli, “The Birth of Venus” (1487)
2. Frida Kahlo, “Self Portrait Dedicated to Dr Eloesser” (1940)
3. Rene Magritte, “Man in a Bowler Hat” (1964)
4. David Hockney, “Henry Geldzahler and Christopher Scott” (1969)
Watching these dogs be dogs will fill you with happiness. @WallaceMuseum I want to move in! Faithful & fearless #portraits of #dogs from Gainsborough to Hockney is without doubt the go-to show that’ll pick-you-up #WallaceWoofs made me laugh, love and long for a furry best friend
@niibuni51103 These panels are what made me love hockney his lil
face 🥺❤️
Norman Stevens (1937-1988)
Another unsung artist. I’d not heard of him before but he was part of the ‘Bradford Mafia’ of artists including David Hockney who is very well known
1) ‘Weather and Art’. In the Tate
2) Autumn
3) Spring
4) Leven Hall Gardens
In 1973 he married Kirsten Benson & had a son with her. She sold her restaurant to Langan & Proctor, Hockney, Bacon & Freud helped decorate the walls. Lamp & Pines (1975), Two Diners on Desert (c1976) & Victoria Falls (1974). Regents Park (1973) is a delicate landscape
This May, Visionary: The Paul G. Allen Collection returns with its final chapter, featuring works by David Hockney, Georgia O'Keeffe and Edward Hopper. concentrating on masterworks inspired by nature — a passion for Paul G. Allen himself. These are O’ Keeffe’s master pieces.
Michaelangelo felt that the new oil paint technology was for amateurs, because you can “correct” things with oil, unlike with fresco. (source: Hockney's _Secret Knowledge_)
Catching up on the latest immersive digital experience in London with this review @guardian
'David Hockney: Bigger and Closer review – an overwhelming blast of passionless kitsch'.
https://t.co/ixWeME2fJu