Jeanne Mammen was born in Germany in 1890, but her family moved to Paris where she enjoyed a carefree and progressive upbringing (art studies at the Académie Julian)During her lifetime, she gained a reputation beyond Berlin as a chronicler of life in the city🏛She Represents 1928

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I wish I could bring back Jeanne Mammen (1890-1976 German) so she could paint more of this uncompromising work. https://t.co/xKtvkce5PF

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At the bar, 1926 by Jeanne Mammen (1890-1976) painter whose paintings captured the clubs of the Weimar period

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Farbdruck Goldfischfang, um 1925 Jeanne Mammen, ,1890-1976.

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https://t.co/cfnl3dxb3X

Hi, actuellement en train de reprendre le dessin j'aimerais me servir de cet atout pour financer une partie de ma mammec.

Je partage donc mon Ko-Fi pour les personnes qui seraient intéressées par des commissions dans mon style.

N'hésitez pas à rt ou 💗

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"Big harvest, Mammets happy (art by me)" by davidkimyy
https://t.co/sQgUuRL0xw

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mammet shenanigans feature frequently

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Two Women Dancing (1928) by Jeanne Mammen for today's in celebration of LBGTQ+ History Month. Mammen's watercolours are sensitive & intimate, showing the beauty & glamour of 1920s Nollendorf, a Berlin neighbourhood, still at heart of the LBGTQ+ community today.

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Jean Mammen
Aschermittwoch
Aquarell | 1926 | Weimar Era

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Jeanne Mammen (1890 1976) Fräulein Kunstmalerin, 1925.

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ask them what they studied at school, see if theyve been paying attention

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魔法人形開発会議 / A mammet development meeting

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Jeanne Mammen, She Represents aka Carnival Scene (ca. 1928), Berlin.
© VG Bild-Kunst, Bonn 2017

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Wind-up Spítha -- This mammet was found wandering near the site of a now dormant volcano. It smells like burnt hair.

[WARNING: DO NOT LET IT ROAM UNSUPERVISED]

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Untitled (Vor dem Auftritt) (Before the Performance) (1928)

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Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their performers and artists, as well as their bohemian, intellectual and gay clientele, during the Weimar period (1918-1933)

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