Bright Wall/Dark Roomさんのイラストまとめ

Today on the site: our "Moments" issue kicks off with @m_tlamsa on John Crowley's 'Brooklyn' and how "three consecutive shots of a luncheon transform a lovely period drama into a lifeline" (art by @karaghbyrne) https://t.co/UuQaQKKVgU

From the archives:

"Geography as Identity" -@angelicabastien on Barry Jenkins’ MOONLIGHT

(art by @brianna_ashby)

https://t.co/CBYt4kf6xR

"PHANTOM OF THE PARADISE feels simultaneously self-assured and just glad to be invited to the party, the cinematic equivalent of arriving at a New Year’s Eve bash at six in the evening already covered in glitter." https://t.co/lM08c64z8K

“This is the real gamble at the heart of Altman's CALIFORNIA SPLIT: the risk you take when you put your care and trust into another person." https://t.co/34X85l1oY9

New today on the site:

"He Sold His Soul for Rock and Roll" -@dodgyboffin on Brian De Palma's PHANTOM OF THE PARADISE

(art by @studioralston)

https://t.co/lM08c64z8K

"Brian De Palma's BODY DOUBLE is a dizzyingly perverse, pastel-hued celebration of cinematic pastiche and formalist trickery." -@aHeartOfGould
https://t.co/nc8rUjv4WV

New today on the site:

@MerrittMecham on Peyton Reed's DOWN WITH LOVE (2003)

(🎨 by @studioralston)

https://t.co/5q1YDQ1Yyf

"As a narrative, Kieślowski's RED is often recursively and sometimes even reflexively understood. It’s a film of ellipses, of threads dropped and picked up until, suddenly, they are woven." https://t.co/afZoBJJW3K

"In the face of apocalypse, priorities change. Or, don’t change so much as crystallize into their truest forms." -@smswrites on THE LEFTOVERS (art by @studiotstella)
https://t.co/bllYLxiuTx

"Fellini manages to accomplish with film what mostly abstract painters do – namely, to communicate an emotion without ever saying or showing anything in a direct manner, without ever explaining anything, just by a sort of sheer magic." -David Lynch on Fellini, both #bornonthisday