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Happy 90th to The Best To Ever Do It, writer/ director/ performer Elaine May!
In 2019, we dedicated an entire issue to May, her films, her writing, her comedy, and her singular brilliance.
https://t.co/3fLUYLDoE1
🎨: @studiotstella
You Get to Live a Lot of Life: An Interview with Liv Ullmann
https://t.co/3LE10auaqU
“DOWN WITH LOVE cleverly uses exaggeration, artifice, and opulence to rocket it past pastiche and into a new space where it utilizes the genre’s shenanigans in order to comment on the genre itself.” https://t.co/5q1YDQ1Yyf
New today on the site:
Our 'Moments' issue concludes with @everybody_cares on catharsis and Mads Mikkelsen's final dance in Thomas Vinterberg's ANOTHER ROUND
(art by @studioralston)
https://t.co/sCAndnKzYV
"Just in Time" -@AdamMembrey on BEFORE SUNSET, and how finding our favorite art can help us find ourselves & one another.
(art by @brianna_ashby)
https://t.co/yKHIAPU3GP
"Language, Desire, and the Places We Are From" -@lwood5010 on THE ENGLISH PATIENT
https://t.co/BqhG6ktBVn
"Steven Soderbergh's OUT OF SIGHT is a heist story, a sexy potboiler, a noir rom-com that resurrects & perfects the lost art of cinematic sexual tension."
- Priscilla Page (@BBW_BFF) https://t.co/upojZy8Q3O
"In GEORGE WASHINGTON, David Gordon Green uses time the way a painter might use negative space—he shapes our understanding of what we’re seeing, not through a series of plot points, but by giving us moments that, taken alone, seem random or incidental." https://t.co/LT8vJe3meR
"Like most of the serial killer thrillers it’s said to vanguard, MANHUNTER smacks of gender. Our hardened hero is not just softened by his traumatic past, but broken by it, his manhood warped by the terror that now governs him." -@k8bushofficial
https://t.co/sVQV34fztD
"I like a movie that takes its time, that gives me a chance to wander around inside of it, where I can get lost for a bit and come back and still be a part of its world."
-@Fletcher_Powell on GEORGE WASHINGTON (art by @studiotstella)
https://t.co/LT8vJe3meR