Bright Wall/Dark Roomさんのイラストまとめ

"ALMOST FAMOUS is not just a story about falling in love with life’s possibilities, nor a story about falling in love with music; at its heart, it's a film about falling in love with writing about music. It’s the story of how a boy became a critic." https://t.co/1yB5FzD10l

"THE STRAIGHT STORY represents the Lynchian world redeemed, a pocket of America that battled dread and violence and won, earning its just reward." https://t.co/yjuh7NfHTh

"The Tree of Life feels like the culmination of all Malick had been building towards for 40 years, working at the peak of his powers on a project that obsessed him, in one form or another, for most of his career." https://t.co/9NrIOXf6bF

"Mike Nichols' WORKING GIRL, at its heart, is a film that examines the nuances of the intersection of class and feminism, packaged slyly in the form of a light-hearted, girl power-flavored workplace comedy."
-@carriecourogen
https://t.co/KUOxCc5vN2

Today on the site: @falisifr on Butch Cassidy and the Sundance Kid, western revisionism, and when a movie "frustrates like family" (art by @studioralston) https://t.co/3l37ZA4fKK

"MIKEY & NICKY is Elaine May’s uber-text in her too-brief cinematic study of broken men and their slugtrail of betrayals, betrayers, and betrayed, a scab-torn and pus-flooded journey to the end of the night for its titular best friends."

—@aHeartOfGould

https://t.co/HkEnb2R1Jz

Happy 90th to The Best To Ever Do It, writer/ director/ performer Elaine May!

In 2019, we dedicated an entire issue to May, her films, her writing, her comedy, and her singular brilliance.

https://t.co/3fLUYLDoE1

🎨: @studiotstella

You Get to Live a Lot of Life: An Interview with Liv Ullmann
https://t.co/3LE10auaqU

“DOWN WITH LOVE cleverly uses exaggeration, artifice, and opulence to rocket it past pastiche and into a new space where it utilizes the genre’s shenanigans in order to comment on the genre itself.” https://t.co/5q1YDQ1Yyf

New today on the site:

Our 'Moments' issue concludes with @everybody_cares on catharsis and Mads Mikkelsen's final dance in Thomas Vinterberg's ANOTHER ROUND

(art by @studioralston)

https://t.co/sCAndnKzYV