Bright Wall/Dark Roomさんのイラストまとめ

"A Bloody Silly Way to Die" -@MerrittMecham on DON'T LOOK NOW (1973)

https://t.co/hGpZpzmP87

"Louis Malle's ZAZIE DANS LE MÉTRO is a full-color, live-action cartoon—an hour-and-a-half blast of Dadaist lunacy that feels like it’s being transmitted from an entirely different universe." https://t.co/cGRlPdtpEK

"THE TREE OF LIFE is filled with gentle exhortations towards love; the camera locates a love for most everything it finds, and Malick's words state it even more directly: Help each other. Love everyone. Every leaf. Every ray of light."
https://t.co/9NrIOXwHAf

“There are a handful of shows I ask everyone if they have seen, but when I ask them if they love Friday Night Lights, what I mean is: Are you my kind of person? Are you all heart?”

- Erica Cantoni
(🎨 by @brianna_ashby)

https://t.co/yeXON7T6mI

"At the time of its release, TALES FROM EARTHSEA was considered Studio Ghibli's worst outing. Yet I contend that, like many so-called failures, it was trying to address an audience that wasn’t yet primed for its message." https://t.co/lK7XGiym5P

“I Hate Every Kind of Goodbye”: The Long, Slow Road to THE OTHER SIDE OF THE WIND
https://t.co/Wbziznc6Dd

De Palma Does Hollywood: Fleshing Out the Split-Screened Study of Voyeurism & Illusion in BODY DOUBLE
https://t.co/nc8rUjv4WV

Today on the site: our "Moments" issue kicks off with @m_tlamsa on John Crowley's 'Brooklyn' and how "three consecutive shots of a luncheon transform a lovely period drama into a lifeline" (art by @karaghbyrne) https://t.co/UuQaQKKVgU

From the archives:

"Geography as Identity" -@angelicabastien on Barry Jenkins’ MOONLIGHT

(art by @brianna_ashby)

https://t.co/CBYt4kf6xR

"PHANTOM OF THE PARADISE feels simultaneously self-assured and just glad to be invited to the party, the cinematic equivalent of arriving at a New Year’s Eve bash at six in the evening already covered in glitter." https://t.co/lM08c64z8K