Bright Wall/Dark Roomさんのイラストまとめ

"Lonely Nights & Eating Alone" -@lindsaygoldwert on Anthony Bourdain, Christopher Doyle, Wong Kar-wai, and FALLEN ANGELS.

(art by @studiotstella)

https://t.co/O2XHnHZz2f

"Just in Time" -@AdamMembrey on BEFORE SUNSET, and how finding our favorite art can help us find ourselves & one another.

(art by @brianna_ashby)
https://t.co/yKHIAPU3GP

I Don’t Belong In This World: On the Saltair Pavilion, Mary Henry, and CARNIVAL OF SOULS https://t.co/3lHad6DWyr

"Language, Desire, and the Places We Are From" -@lwood5010 on THE ENGLISH PATIENT
https://t.co/BqhG6ktBVn

"Steven Soderbergh's OUT OF SIGHT is a heist story, a sexy potboiler, a noir rom-com that resurrects & perfects the lost art of cinematic sexual tension."

- Priscilla Page (@BBW_BFF) https://t.co/upojZy8Q3O

"In GEORGE WASHINGTON, David Gordon Green uses time the way a painter might use negative space—he shapes our understanding of what we’re seeing, not through a series of plot points, but by giving us moments that, taken alone, seem random or incidental." https://t.co/LT8vJe3meR

"Like most of the serial killer thrillers it’s said to vanguard, MANHUNTER smacks of gender. Our hardened hero is not just softened by his traumatic past, but broken by it, his manhood warped by the terror that now governs him." -@k8bushofficial
https://t.co/sVQV34fztD

"I like a movie that takes its time, that gives me a chance to wander around inside of it, where I can get lost for a bit and come back and still be a part of its world."

-@Fletcher_Powell on GEORGE WASHINGTON (art by @studiotstella)

https://t.co/LT8vJe3meR

"A Bloody Silly Way to Die" -@MerrittMecham on DON'T LOOK NOW (1973)

https://t.co/hGpZpzmP87

"Louis Malle's ZAZIE DANS LE MÉTRO is a full-color, live-action cartoon—an hour-and-a-half blast of Dadaist lunacy that feels like it’s being transmitted from an entirely different universe." https://t.co/cGRlPdtpEK