Bright Wall/Dark Roomさんのイラストまとめ

Saturday night = the perfect night to catch up on our Desert Island Movies issue https://t.co/M3jRUKtQNH

Today on the site: @burritotheif on “the addictive trashiness” of 2013’s Adore, “a film that sells you on its prestige aesthetics only to cause you an existential crisis later on down the road” (🎨 by @tinface) https://t.co/k1mCxAvdVV

Very excited to announce our 100th Issue—Transcendence—which kicks off next week! All month long we'll be featuring some of our favorite voices from @BWDR's past & present, writing on everything from BLOW OUT to THE TREE OF LIFE to HUBIE HALLOWEEN #BWDR100 https://t.co/0tqu4inLOI

Out There in the Dark: A Theoretical Investigation into the Link Between Sunset Boulevard, Eraserhead, and The Shining -@Ethan_Warren_ (🎨 by @studiotstella) https://t.co/xcYJYjevRx

Today on the site: it’s all happening - our Desert Island Movies issue continues with @Ethan_Warren_ on Almost Famous (or, untitled: the bootleg cut). Plus new art by @studioralston! https://t.co/1yB5Fzlq8N

The Casket Maker’s Fortune -@dylanwalsdorf on Kurosawa's YOJIMBO (🎨 by @GMillsFineArt) https://t.co/kwgd8YxXff

“In principle, apocalypse might imply a clean, sudden ending, but in practice, it’s a drawn-out & uneven descent.

I can think of few works of art that understand this better than The Leftovers.” -@smswrites https://t.co/bllYLxiuTx

Hello Loneliness, I Think I’m Gonna Die: Bob Fosse’s Dance with the Five Stages of Grief in ALL THAT JAZZ -@aHeartOfGould https://t.co/fpnVCNths4

“What THE WARRIORS captures best about nights is how tedious they are.” -@franhoepfner https://t.co/g6PhGZRUpZ

Today on the site: our 99th issue—all about the movies we’d take with us to a desert island—kicks off with @dodgyboffin on STOP MAKING SENSE (🎨 by @vmenendezb) https://t.co/nM7StmUzcx