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"SECRETARY never exploits or stereotypes BDSM for sport; never uses it as a sideshow; never markets it as a pathology to overcome." -@kara_shroyer
(art by @brianna_ashby)
https://t.co/wUvuHwAxZK
Spencer Williams (@burritotheif) on BODY OF EVIDENCE and Looking Camp Right in the Eye
https://t.co/2b1umtBURA
"The Straight Story represents the Lynchian world redeemed, a pocket of America that battled dread and violence and won, earning its just reward." -@Ethan_Warren_ https://t.co/yjuh7NfHTh
"Diamonds Are Forever stands out as the most peculiar entry in the franchise thanks to its unintentional embrace of the surreal & the challenges it poses to its own pedigree and dogma." https://t.co/16yPdg8mkI
"This is the real gamble at the heart of Altman's CALIFORNIA SPLIT: the risk you take when you put your care and trust into another person." https://t.co/34X85l1oY9
Hello Loneliness, I Think I’m Gonna Die: Bob Fosse’s Dance with the Five Stages of Grief in ALL THAT JAZZ -@aHeartOfGould https://t.co/fpnVCNths4
Um, we’re about to hit 100 issues 😳
Which means for $3/month you get access to 8 years and 1100 essays. $3! https://t.co/ope2qszXi7
"If anything, CHARADE is a screwball thriller—and surely the best movie that Howard Hawks never made." -@wolfandfox
(art by @brianna_ashby)
https://t.co/pBKsvvmifi
"Ken Russell's THE DEVILS is not your edgy-for-the-sake-of-edgy middle finger to the Church many at the time took it to be. It is, in fact, a very religious film made by a Catholic artist trying to make sense of his own faith." https://t.co/NndoobLt33