Bright Wall/Dark Roomさんのイラストまとめ

"If anything unites Gene Kelly's classic musicals, it’s a belief that no past experience could be horrific enough to prevent you from letting loose that whole-human-race encompassing smile & falling in love with life all over again." -@Ethan_Warren_ #BOTD https://t.co/JkVLJ6MDzC

New on the site: @dylanwalsdorf on discovering Akira Kurosawa's Yojimbo: "If I was meant to watch this movie, it implies there’s some kind of order to the universe and not just a chaotic mess where kind people die too soon.." (art by @GMillsFineArt) https://t.co/Qa7s4nCxmj

"I'll See You in Hell" -@dodgyboffin on THE EMPIRE STRIKES BACK https://t.co/4nituvzVmw

New today on the site:

"IT (1927) and The It Girl, Clara Bow" - Angela Moore on the power and limitations of personal magnetism

(art by @vmenendezb)

https://t.co/nvb3tKo1mf

“Rage may be the only sane reaction to humanity as a whole; if you cannot forgive it, Hayao Miyazaki agrees with you. But as long as you keep trying to live in peace, he’ll keep making art for you.” https://t.co/lFqYokdWen

"So prominent is the problem of whether and how to explain, that nearly any attempt to interpret the film ends up using the film to debate interpretation."
-@gutomako on MULHOLLAND DRIVE (🎨 by @brianna_ashby)
https://t.co/4DZxgUCLjx

"When I watch MY OWN PRIVATE IDAHO I feel a profound nostalgia for the person I was, for the city I loved." -@crf_pdx https://t.co/sc5jVah0iG

"T.S. Eliot’s poetry of austerity positions despair as the logical alternative to life as an automaton; Richard Kelly’s film of excess positions hallucinatory ecstasy as the even more logical alternative to the same." -@Ethan_Warren_ on SOUTHLAND TALES https://t.co/AJVLnbnHM5

"SECRETARY never exploits or stereotypes BDSM for sport; never uses it as a sideshow; never markets it as a pathology to overcome." -@kara_shroyer
(art by @brianna_ashby)
https://t.co/wUvuHwAxZK

Spencer Williams (@burritotheif) on BODY OF EVIDENCE and Looking Camp Right in the Eye
https://t.co/2b1umtBURA