Bright Wall/Dark Roomさんのイラストまとめ

"RAISING ARIZONA is a messy, ridiculous love story, & despite the fact that it’s a film where a person literally explodes, it feels so honest about romance in a way I haven’t seen before."

--@franhoepfner
(🎨: @brianna_ashby)

#1987InFilm

https://t.co/RSXwUqxNmA

"BROADCAST NEWS presents adulthood as an exercise in weathering the relentless sensation of being not-quite-enough and not-quite-right."

-@kellieherson on BROADCAST NEWS
(🎨: @brianna_ashby)

#1987InFilm

https://t.co/zzqkeGv4mH

"The thing MOONSTRUCK lets you walk away feeling is: who cares. You find your person and then you figure it out."

-Caity Mans (@Mansnotmen) on MOONSTRUCK
(🎨: @studiotstella)

#1987InFilm

https://t.co/GruRXaEiB2

Before we kick off our #1987InFilm issue (it's dropping tomorrow!), let's look back at some of the films from that *insanely* good movie year that we've already taken a BWDR deep-dive into:

The Real Deal -@franhoepfner on THE WARRIORS https://t.co/g6PhGZRUpZ

"The story of Studio Ghibli's TALES FROM EARTHSEA is a chronicle of a misused director and the parade of misunderstandings that torpedoed his debut, nearly taking his career with it." https://t.co/lK7XGiym5P

A brand new episode of @TheBWDRPodcast is here! Join @gutomako & @everybody_cares as they explore THE CONVERSATION through the lenses of surveillance & seclusion, Gene Hackman & Walter Murch, Catholic guilt & cool jazz.

(+ new art from @haystackmanning!)
https://t.co/TeJbtEf3FW

"When I watch MY OWN PRIVATE IDAHO I feel a profound nostalgia for the person I was, for the city I loved." -@crf_pdx
https://t.co/sc5jVah0iG

Robin Williams, from our September 2014 issue, art by @brianna_ashby #BOTD

"Peyton Reed's DOWN WITH LOVE cleverly uses exaggeration, artifice, and opulence to rocket it past pastiche and into a new space where it utilizes the genre’s shenanigans in order to comment on the genre itself." -@MerrittMecham https://t.co/5q1YDQjzWP