Bright Wall/Dark Roomさんのイラストまとめ

The Life-Altering Magic of Taking it Personally -@kellieherson on THE LAST DANCE
https://t.co/CNZXHegDp9

New today: Our June issue (Melodrama) begins, with Emma Fergusson on BRIEF ENCOUNTER

https://t.co/ZXabFbb6sM

(art by @studioralston)

"Peyton Reed's DOWN WITH LOVE cleverly uses exaggeration, artifice, and opulence to rocket it past pastiche and into a new space where it utilizes the genre’s shenanigans in order to comment on the genre itself." https://t.co/5q1YDQ1Yyf

"Brian De Palma's PHANTOM OF THE PARADISE is decadence splashed on celluloid, a celebration of the shine of glam rock, and a preemptive funeral for the scene officiated by the dark underside of the business." -@dodgyboffin https://t.co/lM08c64z8K

How It All Came Crashing Down: SOUTHLAND TALES (2007)
https://t.co/AJVLnbnHM5

"ALMOST FAMOUS is not just a story about falling in love with life’s possibilities, nor a story about falling in love with music; at its heart, it's a film about falling in love with writing about music. It’s the story of how a boy became a critic." https://t.co/1yB5FzD10l

"THE STRAIGHT STORY represents the Lynchian world redeemed, a pocket of America that battled dread and violence and won, earning its just reward." https://t.co/yjuh7NfHTh

"The Tree of Life feels like the culmination of all Malick had been building towards for 40 years, working at the peak of his powers on a project that obsessed him, in one form or another, for most of his career." https://t.co/9NrIOXf6bF

"Mike Nichols' WORKING GIRL, at its heart, is a film that examines the nuances of the intersection of class and feminism, packaged slyly in the form of a light-hearted, girl power-flavored workplace comedy."
-@carriecourogen
https://t.co/KUOxCc5vN2

Today on the site: @falisifr on Butch Cassidy and the Sundance Kid, western revisionism, and when a movie "frustrates like family" (art by @studioralston) https://t.co/3l37ZA4fKK