Bright Wall/Dark Roomさんのイラストまとめ

“In a way, THE COLOR OF MONEY is the original sequel to TOP GUN. Both conflate education with inheritance, a privilege indistinguishable from a burden. Both take pains to imagine a world where your trajectory may be shaped by a belief beyond your own.” https://t.co/MgJGUmBtLT

New today on the site, Veronica Fitzpatrick (@gutomako) on Martin Scorsese's THE COLOR OF MONEY:

"For months I’ve been thinking about sequels and second chances, about Paul Newman but also, increasingly, Tom Cruise."

https://t.co/MgJGUmBtLT

(art by @GMillsFineArt)

Melody and Melodrama in BRIEF ENCOUNTER https://t.co/ZXabFbb6sM

"For all their songs’ disaffected paranoia and discomfort, Talking Heads draw from deep wells of joy." -@dodgyboffin on STOP MAKING SENSE (art by @vmenendezb)
https://t.co/nM7Stnca45

"Whoa Is Me " -@PatrickMMcGinty on THE MATRIX
https://t.co/Eu4pgQZbRo

The Life-Altering Magic of Taking it Personally -@kellieherson on THE LAST DANCE
https://t.co/CNZXHegDp9

New today: Our June issue (Melodrama) begins, with Emma Fergusson on BRIEF ENCOUNTER

https://t.co/ZXabFbb6sM

(art by @studioralston)

"Peyton Reed's DOWN WITH LOVE cleverly uses exaggeration, artifice, and opulence to rocket it past pastiche and into a new space where it utilizes the genre’s shenanigans in order to comment on the genre itself." https://t.co/5q1YDQ1Yyf

"Brian De Palma's PHANTOM OF THE PARADISE is decadence splashed on celluloid, a celebration of the shine of glam rock, and a preemptive funeral for the scene officiated by the dark underside of the business." -@dodgyboffin https://t.co/lM08c64z8K

How It All Came Crashing Down: SOUTHLAND TALES (2007)
https://t.co/AJVLnbnHM5