Bright Wall/Dark Roomさんのイラストまとめ

"Brian De Palma's PHANTOM OF THE PARADISE feels simultaneously self-assured and just glad to be invited to the party, the cinematic equivalent of arriving at a New Year’s Eve bash at six in the evening already covered in glitter." https://t.co/lM08c64z8K

“The broadcast of Ingmar Bergman's SCENES FROM A MARRIAGE was rumored to have substantially increased the divorce rate in Sweden; the waiting list to see a counselor in Stockholm went from three weeks to three months.” https://t.co/21LyOtVLjx

Kelsey Ford (@kelsfjord) on the weight of grief and MANCHESTER BY THE SEA

(art by @brianna_ashby)

https://t.co/XedqnH32Ba

"Don’t Forget Your Old Shipmate" -@sarahshachat on
Friends/Ships in MASTER AND COMMANDER (art by @studiotstella)
https://t.co/RE80NPWhMU

"In the six-decade, 25 film oeuvre of the series, DIAMONDS ARE FOREVER stands out as the most peculiar entry in the 007 franchise thanks to its unintentional embrace of the surreal & the challenges it poses to its own pedigree and dogma." https://t.co/16yPdg8mkI

“In a way, THE COLOR OF MONEY is the original sequel to TOP GUN. Both conflate education with inheritance, a privilege indistinguishable from a burden. Both take pains to imagine a world where your trajectory may be shaped by a belief beyond your own.” https://t.co/MgJGUmBtLT

New today on the site, Veronica Fitzpatrick (@gutomako) on Martin Scorsese's THE COLOR OF MONEY:

"For months I’ve been thinking about sequels and second chances, about Paul Newman but also, increasingly, Tom Cruise."

https://t.co/MgJGUmBtLT

(art by @GMillsFineArt)

Melody and Melodrama in BRIEF ENCOUNTER https://t.co/ZXabFbb6sM

"For all their songs’ disaffected paranoia and discomfort, Talking Heads draw from deep wells of joy." -@dodgyboffin on STOP MAKING SENSE (art by @vmenendezb)
https://t.co/nM7Stnca45

"Whoa Is Me " -@PatrickMMcGinty on THE MATRIX
https://t.co/Eu4pgQZbRo