The Claremont Runさんのイラストまとめ

Rachel has frequently been seen to reject sexual advances in early issues of Excalibur. Portraying the character in a form of symbolic onanism could (arguably) connect her sexuality to her emerging sense of independence – a major theme of her characterization in Excalibur. 9/10

Now, we can stop here (and good sense suggests we should considering how Twitter debates on this subject can sometimes go) but we can also go further and look at how the specifics of the sexual imagery can contribute to Rachel’s characterization. 8/10

“Rather than reflecting…that disempowered minorities are reading about and identifying themselves in the pages of the comic book, most readers are being taught to identify with oppressions that are unfamiliar and, I would argue, unequalto their own.” 2/6

With Forge, it seems that Ororo is able to better connect to her human side and to nurture that aspect of herself which she often otherwise diminishes, as necessitated by her superhero calling as well as her particular station as leader of the team after Cyclops’ departure. 7/10

Forge is neither a god nor a paragon, he’s a physically and emotionally scarred shadow of a man who isolates himself from the world and sells his mutant gift to make weapons for the US military. He isn’t “good enough for her,” and yet she loves him. 4/10

When asked in interview why it took so long for Storm to receive a relationship partner, Claremont would often reply “because nobody was good enough for her.” 3/10

Kelly exhibits hypocrisy in begging a mutant to help his wife. Psylocke does, but only by easing the pain of Sharon’s passing. Kelly, failing to see the role of the Sentinel program in initiating the conflict, simply takes this as further reason to hate mutants. 8/9

Instead, we get a tale of heroism. When their limo is randomly destroyed in a Mastermold attack, Sharon exhibits both humanity and compassion in saving both her husband and Rogue. Even when she’s dying, she begs Robert to warn the X-Men that the sentinel is still active. 7/9

She’s contrasted effectively in this through Kelly’s discomfort, and later admonishment. He is ashamed of where she came from. Sharon isn’t. 5/9

Her brief interaction with her former colleagues showcases the kind of class exploration that one would see in a Bronte novel or, more recently, Downton Abbey. Hers is a story of rare class mobility and the perspective that comes with seeing both sides of the class divide. 3/9