Henry Rothwellさんのイラストまとめ

Good morning - I hope the night passed well, and you're ready for the day. I'm starting with a pair from the splendid @Anna_Dillon. Left, 'Beacon Hill', mixed media on paper, and right 'Grim's Ditch', oil on board.
You can find more of her work at https://t.co/Ux7R0d64Oz

Look what I found in the box marked 'Edward Bawden'. Left, 'Larchwood', c. 1933, and right 'Ploughed Field', 1934. Watercolour.

Good morning - I hope you found the night generous. I'm starting the day with a John Nash you don't see too often - 'Norfolk Coast', oil on canvas, 1932. There are some stooks if you look. This may be #StookSaturday. Yes, I think it is.

In celebration of the #fullmoon, here's that arch practitioner of the nocturne, Sebastian Pether, with 'A Moonlit Bay, with Boatmen, Seen through a Wooded Glade', oil on a panel, c.1825–1840.

Good morning - I trust your dreams were kind to you. IF for some unknown reason you only get to drink in the detail of one fine painting today, I recommend you make it Josephine Miller's extraordinary 'The House on the Canal', oil on water, c. 1960.

'Warningcamp, Sussex' by Audrey Weber, for the book 'Hills of the South' by S. P. B. Mais, 1939.

Good #Walpurgisnacht.
Left, Graham Sutherland, 'Twisting Roads', ink, watercolour, bodycolour and coloured crayon, 1976. Right, 'Lingley's Field', John Scorror O'Connor, oil on canvas, date uncertain.
Sleep tight.

Here's Richard Bawden's rather fine 'Clutter', aquatint on paper.

Good morning. I hope sleep came easy last night. We'll start the day with a pair of opposite elements from Joseph Edward Southall. Left: 'The Return', tempera on fabric (possibly silk), possibly Fowey, 1930. And right, 'The Meadow', watercolour, 1920.

'A Glimmering Moon' by @Anna_Dillon. Oil on board. I wrote a long form essay about a moonwalk in December - inspired by @M_Z_Harrison's, well, inspiring podcast yesterday, and the impending #supermoon, I thought I might record an audio version. Thoughts?